Walk in that bitch like, "How the hell y'all doin'? How y'all feelin' today?"
Ready to turn myself in down at the station, I made a killin' today
Always gon' be money, always gon' be hoes, always gon' be somethin'
Only thing you got is your word, I put that shit on my mama
No, you really just can't get comfy, gotta keep at it, buddy
'Fore I had this money, wouldn't worry 'bout nothin', that shit feel backwards to ... read more
My appreciation for this album, comes in two parts:
It is, by far, Klo’s most complete work. Gone is the distinction between acoustic and electronic. Gone is the separation between art/story and artist. This album exposes a deep part of her that is both undeniable and universal. In terms of pure emotional transmission, no other album she made has ever come this close to bridging the gap between creator and listener. Not in a parasocial way, but as a conduit for further emotional ... read more
This album is objectively speaking one of the most beautiful albums ever made. She made us into the idea of what she was trying to communicate: beauty, love, and understanding.
Pura belleza, amor y melancolía; un himno, un manifiesto para la juventud. Fuerte, delgaz, las melodías suaves y la percusión salvaje. Una aventura, odisea, a través de odio, horror, baile, olvidó y satisfacción. Este álbum es una verdadera obra de arte.
Una paleta moderna, electrónica, digital y falsificada. El disco y el baile son reyes pero dejan espacio y fluctúan para dejar un impacto todavía más marcado. Hay un ... read more
Controversial opinion but I think Future is kind of a genius. Like genuinely when you listen to the complex narratives of love, lust, loss and addiction present in his music it can be really moving. To me, his 2014 mixtape “Monster” is the perfect synthesis of what makes his music so generally great. But then you get utter slop like “mixtape Pluto”. This piece of dogshit’s only redeeming quality is that the beats aren't that bad in a vacuum. They get super ... read more