Yeat is back! Although he can't quite reach 2093 levels, he is still putting out quality even if his label REALLY doesn't want him to.
Track Reviews/Rankings:
Purpose General: 10/10
- Loving the production on this. Lots of depth in the mix
- This song is such a vibe omg
- Yeat his most intelligible since 2093
- The chorus is so powerful
Face the Flame: 7/10
- I like this barking thing he's got going on
- I hear the Future/Young Thug influence, and he's really ... read more
Though I was excited that Tyler ditched the overtheatrical aspect of his previous 3 albums, I think he set a very low bar with this one
Track Ratings:
1 Big Poe: 7/10
- The mixing on this one sucks, but I appreciate Tyler finally straying away from his overdramatic theatrical style to just attempt to put out good music. The features are fun and the lyrics are fun if you don't take them seriously
- Sounds like one of those character theme songs from Fortnite; some Gumbo or Pea Like ... read more
Yeah this is the one
By far their most grimy and evil album in a long long time (though to be fair it is their first album in a long time)
Just when a beat seems like it's getting tired (which most don't) it switches into a new one
Not in the mood for a full track review, but god this album is so refreshing, from the beats to the lyrics
Favorite Tracks: Pretty much all of them
Least Favorite: The Tyler Verse
<10/10
This is culturally inappropriate
This album is definitely one of Wayne's most experimental. At times the result is a brand new creative form of matter, but sometimes those experiments fail to prove any hypothesis, or even worse they blow up the lab in its entirety.
Track Notes:
- King Carter is a pretty good intro but it reeks of the cliché Tyler the Creator ass melodrama
- Welcome to Tha Carter has a pretty interesting use of a soul sample. Sometimes it feels like Wayne's inflection doesn't really ... read more
Before continuing with the review, I would like to acknowledge that I believe every sound and phoneme was carefully and intentionally crafted the way they were; that is, I don't believe any of the outcomes of how this album sounds are accidental. This means that I can only critique this album in terms of my enjoyment and my opinion on Jane Remover's take on the genre in general.
Without burying any leads, let me say that the instrumentals are not necessarily unlike those which I have ... read more