willoughby tucker, i’ll always love you expands excellently on the violet seeds planted by ethel cain’s previous record, preacher’s daughter. it’s hazy and heart-crushing, reminding me at times of a title fight submerged in smoke-stained southern sludge. while i do think that it was the right choice to place an instrumental track between “a knock at the door” and “tempest”, a song with more movement would have been a better fit to round out the ... read more
a frenzied digital soundscape that proves chaos is not always undesirable. the expertly plucked pool of video game sound effects utilized throughout the album showcase jane remover's incredible ear for sampling.
favorite tracks: star people, fadeoutz, jrjrjr
even in all its raunchiness, man's best friend has all the intrigue of comparing nutritional labels in the dairy aisle at target and lacks almost all of the earworm potential that its predecessor, short n' sweet, possessed. the indecision between creating an 80s synth pop joint and something with a country twang does not work in the album's favor, and the best song on the tracklist, "when did you get hot?", sounds more like a dangerous woman era ariana grande song than ... read more
mock seeks to showcase both stylistic development and versatility as rehash takes on different styles of rock à la nirvana, the strokes, and more in a way that remains unique to the band's sound. renzo's vocal performance has grown from the simple cobainesque mockery it frequently was in rehash's previous work, and its unique sweetness contrasts pleasantly with grungier moments on the album.
favorite tracks: endlessly, brd, malaise
this is why is an album that is as danceable as it is raw and relatable. hayley williams has come a long way since her days as a pop punk princess, and her vocal performance possesses a certain tenderness that was sometimes lacking in that early era. her writing is more developed too and displays an honesty and occasional quirkiness that is quite charming. overall, it’s an impressive display of growth and musical maturity.
favorite tracks: running out of time, figure 8, thick skull
simultaneously one of the hardest and most emotionally moving rap albums of the 21st century. unfortunately, i can’t give this record a 100 in good conscience due to the “yellow diamonds look like pee-pee” line. this is culturally inappropriate.
favorite tracks: so be it, e.b.i.t.d.a., let god sort em out/chandeliers