this is a rare occasion where im surprised at a low user score... theres so much interesting texture in the whole thing. Good Bye, which is a song i normally would not like, is CARRIEDDD by the vocal performance holy shit

to the musical-theater-and-acapella-obsessed sister i have, with whom i shared a room for most of my childhood: if it werent for your "watching tiktoks full blast in public" style of playing music around the house, i would never have ever knew who these fucking guys were. fully i enjoyed this album against my wishes

overall pleasant and vibrant! kinda samey in the first half and i appreciate the texture that it caps off with, but on the whole does a lot of the same/similar throughout

bouncy slightly cheeky r&b with a little celebrity gossip attached, Hui carried in the satisfying melodies department and he did it all while bearing the weight of being a third wheel, thank you king

The Downward Spiral ran so The Rainbow Factory could fucking sprint

I didnt recall it being this bad, and then i realized i was actually remembering the rearrangement Johnny did of it that made it actually solid

love when it gets into more clandestine territory (like 1.5 songs' worth) but that happy country twang, mixed with this very plain uncomplicated singing, the brightness of it,,,, just comes at me very juvenile

you have to run up a mountain while listening to this. or like drive a car wildly and dramatically where you only have ten minutes to reunite with your lover at the airport before she takes a flight back to sao paulo or something

i coulda rated all of these without listening to them again. i wrote poetry about Getting Closer in iambic pentameter when i was in high school. so there should be no question about how hard this slaps to me asfdghjk,jhdfs

campy, strong vocals, decent vision, but somehow not more than the sum of its parts? my tolerance slipped about 5 songs in and it was hard to recover

strong bite force, dirty like a michigan basement. some tracks shake their foundations so much theyre at risk of falling apart, smacks of noise here and there. i think it takes time to warm up to it

working within a very minimalist frame gives it an inherent intensity. solid overall with just a few standouts

Red velvet looked at the calendar, saw November, and said “okay lets get everyone ready for halloween”

has a whiff of older breakcore stuff, like 2009 t+pazolite or renard arcade game bleeps and bloops stuff. if u liked that element go listen to rq's Mega Mega Mega Mega or mayhem's It's Murder. also I PEEPED that Killer7 sample in helltarget and city, in the name of Harman...

not much to write home abt. its like,,, bedroom rock. it feels teenaged

i only feel a looming sense from my own reactions, not from the efforts of the album itself; i kind of wish that it were more deliberate about that, but, to really deliver on the concept, theres no reason why it should be. its job is to feel the normal right before. of course it's boring, its about to be just another day

goes some places but also kinda doesnt? its basic but has an interesting texture to it, like a slightly gourmet plate of mashed potatoes

im just here to complain coz the gems in that jar are CLEARLY cut, theyre cut and polished, if they were uncut theyd look like chunks of dirt. also theyre plural gems. go back to fuckinnn geology school

coming-of-age movie high school kids summer vacation roadtrip montage backing tracks. sounds thinner compared to Decide

it was hard for me to rate these individually because i kept getting induced into a flow state by their soundwaves. not overly dynamic but beats ur brain up just enough to keep you sensing it

vaginoplasty triology (3 years): 79
glass (shattered everywhere): 76
CURSD EXPOR: 75
im sorry i dont know what to say: 78
opiujm: 82
yeonalsnov - rains cut: 84
KINDA WANT TO FUCK BUT OH GOD IM SCARED: 78
feeling everything far more: 80
meta-universe manifold (my lifeblood): 72
IMPORTANT: 78
tritium: ... read more