ohhhh thank you god yes yes yes yes thank you God
idgaf about nostalgia factor or being on trend. she's nearly the same age as me we likely have nearly the same nostalgia and nearly the same idea of what's trendy. i don't think that's even the 50th thing that makes this mixtape so good. this is genuinely just phenomenal electronic music. if you ask me the reason people are so dead set on going back to this sound is that it's simply good as hell and everyone can hear it
i can't in good conscience rate this as low as it objectively deserves solely due to the joy it has brought me in my life
the thing about usseewa is that it's clearly trying to be harder than its instrumentation is allowing for and it ruins not only the mix but the intended impact of ado's voice. i've heard a single cover of this in an actual metal style that didn't take many creative liberties, it primarily just redid the instruments. and it's fantastic, so i really do think this song could have been saved from mediocrity by just not being a syudou production
conceptually not much different from this niche of late 2017s electronic pop music but this is potentially the worst production and instrumentation i have ever in my life ever heard. genuinely appalling
one of the very first experiments into the concept of a virtual idol, one so unsuccessful in the long term that even i, as an avid enthusiast of this sort of thing, am only just now hearing about it.
this single is a good start, there are definitely worse debuts tracks to have. i wish there was more to it, though. it seems like in trying to prove a virtual idol could be "just as good" as an organic one, they forgot to make her very interesting in her own right. i feel like if they had ... read more
i don't know this is pretty bog standard experimental vocaloid with higher production value than most of the other stuff has. pretty good
this guy would later on expose the hell out of evangelists of the time and then become an actor in several shlock films so i think that really tells you all you need to know
i just find this genuinely really sweet and cute. it's an album made from sounds of the artists involved having sex, so it's very intimate and body-conscious obviously, but i have to imagine how much moreso it was to actually create. like, the actual process of building these tracks from sounds of you and someone you love fucking. basically i imagine it's like sex 2
sayonara technopolis is in my own opinion the single best song anyone has ever made
i would actually have a great deal of respect for this if it didn't seem like it was made just to be "edgy" netizen humor fodder. i could easily imagine this concept done in earnest being something i like
vaaaaagiiiinooooplassttyyyyyyy
it's really fascinating to me that no matter what someones opinions on the individual tracks are most people seem to agree this album has some of the most insane quality jumps (up and down) ever. i don't even mean in "production value", i think there are songs on here that are terribly produced but still enjoyable and some that are very well produced but ass. i mean the actual songs
i like this unironically as much as i do partially because i like works that go out of their way to be as interactive between the audience and the medium itsself as possible. it's a 4 minute and 33 second track of pure silence and what you are to do is listen to the environment you exist in that moment in with the same level of reverence and attentiveness as music. that's plain good
upon relisten i like this even less than i did before. i genuinely can't believe other people who like any of the listed genres for this release feel like they even "have to hand it to em" here. this is some of the most pedestrian needlessly angsty teenage garbage i have ever heard in my life both in lyricism and in the actual music itsself and that's seriously saying a lot. you can't possibly be telling me this is the best of noise in your opinion because i straight up ... read more