This album felt like the equivalent of having a bad trip on a sugar high.
Jane Remover (aka leroy) has found a comfortable lane to her music, sadly that lane is just throwing out every idea against a wall without caring if it sticks. Sonically, something is always happening but nothing is really happening in these songs. Maximalist for the sake of maximalist, it's sound design porn that forgets to be a song.
Favorite: IN EVERY LIFETIME (TOGETHER LIKE THIS)
The album is a mix of some strong, focused tracks with some deeply honest writing but also held back by many songs in it's second half that feel undercooked both lyrically and structurally
Pretentious without the fun of Greep or the absurdity of black midi. It feels quirky for the sake of quirkiness rather than organically weird where even at it's most zany it feels like its holding back.