the first half felt fairly chaotic, but it picked itself up towards the latter half making for quite a lovely album. "21 and lonely" is an absolute highlight.
pardon my french, but bend me over and fuck me sideways! you can call me a glazer all you want, but midwest emo, math rock, 4th wave emo, emo pop, or however the fuck you wanna categorise it just itches my brain in a way that most other genres can't. susquatch absolutely fist-fucked these twinkly riffs and jangly chords to serve me the ultimate emo sandwich to chow down on this winter. in this world? more like out of this fucking world!
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that was my initial reaction after hearing this ... read more
not quite as good as sunbather but nevertheless a fire record indeed
screamo emo spoken word music has to be the easiest formula to make a man bust
if you removed a third of the songs this would be perfection
heard the matte kudasai melody in my head again today, so i came back to listen and my god, it's as good as ever.
a great piece of work sonically, but the fact that lou created the album as an apology for his sa makes it unsettling and difficult to reconcile with the rating given
recommended by @questynesty
unlike many other genres, ambient and drone music relies heavily on their ability to create an atmosphere and evoke emotions that resonate with the listener—hence why ratings for these works tend to vary greatly. speaking for myself, I would say that a few tracks, particularly "myristicin 1.05" and "Late nights", truly caught my attention but outside of those, it felt like there could have been just a little more—something with ... read more
same thing goes for this work as it did with the winter ray but was slightly more enjoyable