The more and more I attempt to reconvene with this album, the more and more I realize Edward is nowhere near the right person to try and make some deep and existential album. His voice is just as bad as I remember it, it sucks all semblances of depression I could gain from an album like this and instead just makes me laugh. I didn't like Edward before, but at least his previous stuff had the ability to be bad in a way that was interesting...
Repeatedly on this album, I once again can't help but shake off the feeling that my namesake can and should do better. Then one of the really good tracks comes on and I eat my words whole.
Armand Hammer does not work on such a happy-go-lucky beat I'm sorry
I appreciate posthumous Ka though. Bonus track is as good as advertised, and the outro is underrated
Still a great showcase of a super talented artist, and I'm as glad as anyone else that Vince is back. Not a huge splash, at least in instrumentation, but it works for the undertones a project like this presents.
The sex album to the love album that was Self-Titled.
Malcolm is one of those artists that I'm going to trust to make amazing music until I die. Between the extravagant run of singles, plus songs like Difficult Love, Malcolm In The Middle, and Do That Again, the amount of content applied to a record this obviously just a sex album is insane.
It falters in the latter half, but still an really, really good album from all angles. Just hope you like sweating. Lots and lots of sweating.
...that was it?
Kim Petras' newest album succinctly lives up to it's name. It's unlike anything she's ever made, an album that combined various electronic prefixes with dance and pop to create a musical experience.
The lack of the words "good" or "unique" is what really comes into play. No roll call necessary.
The biggest issue with this Kim Petras album is Kim Petras.
Is Kim Petras talented? I would love to think she is, but if this is apparently her ... read more
ChatGPT please generate a song for me that sounds like shit and builds up to absolutely nothing
I just kinda wanted a 100 for my 1000th review, so here you go!
Thanks for supporting me!
Will be honest and say what I didn't want to say: i don't really get it
I highly doubt this is post-generational album syndrome, it has the feeling of a song that will mostly click post-album release
Held together with scotch tape and vaseline with a shockingly low hit rate for a record attempting to be unique and different
"PLEASE PEGGY WE NEED OUR LORD AND SAVIOR!!!!!!!"
*peggy drops*
"yeah nah actually"
I really need to relisten to STRUGGLER simply because I refuse to believe a bigger step up in quality could possibly exist. Quite a cool record if I do say so myself
You wanna know what's funny? The one thing that Kendrick was wrong with during the beef was proven here.
Drake sucks shit with the melodies.
Talk about making another splash.
Action Bronson's PLANET FROG is his best album to date, and that's putting it lightly.
This is one of those albums everyone wants from the best rappers in the industry. An album both paying homage to previous sounds, emotions, and releases, whilst also being a cornucopia for even further artistic improvement. And this comes after Bronson's prior release, which I partially assumed was already such an album.
This isn't to say it's not ... read more
The album Isaiah has finally presented to us is one that really embodies the mellow hip-hop genre Isaiah himself has thrived in since Cilvia Demo. It's one of those albums that allows you to self-alleviate your worries, with a mellow sound and an array of heavy lyrics splattered across each of the sixteen tracks.
One man. One new band. One reason to believe.
Opening track got me believing more than I could ever imagine. An album like this doesn't pop like Hellfire or The New Sound, but it doesn't really have to. It encapsulates quaint feelings perfectly for what it wants to envelop the listeners with.
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