Solid, but nothing memorable unfortunately.

A monstrously powerful concept album, Boris encapsulates the tragic beauty of a flood through distorted sonic mastery.

There's not much I can say about OK Computer that many others haven't already said way better than I can, but what truly awes me about the album is how perfectly it has aged, for better or for worse.

To anyone that’s given this anything above a 5, let me know who your dealer is. Cause whatever you’re smoking has gotta be some good shit.

The musical equivalent of a sugar rush, but one that's immediately followed up by a diagnoses of Type 2 diabetes.

One of the best worst things ever made.

Inconsistent and overrated; still a good album, though.

When ability overlooks necessity.

Ow.

This album is the peak of death metal. Though far from pure, its blends of technical mastery with rhythm and brutality transcends it to a league of its own.

Insultingly bland.

It’s not bad, but I feel bad for whoever waited 8 years for this.

An inconsistent yet captivating experimental hip hop album made way ahead of it's time.

Another amazing album cover wasted on by-the-numbers, beatdown-influenced modern death metal. I love when the tracklist has multiple features from vocalists who all sound completely identical.

The songs that bookend this album (It’s Not Over and What About Now) are classics of 2000s rock. However, most of what lies between them is pretty unremarkable.

Easily their worst project. A bunch of half baked ideas stitched together into what is essentially a Z-Side compilation.

While the material on this album is incredibly important to the history of black metal, that doesn’t necessarily make (most of) the material good.

Creating “Dance Monkey” should be considered a war crime.

What people who hate slam death metal think slam death metal sounds like.

If only they had stopped at 99.