collabing with caorline polachek, cupcakke, and kim petras on one album ππππ ofc it's gonna devour
just ignore jay park's verse β€οΈ
i live for the ambience on this album, and i live for the lyrics on this album.
Literally, this album is keeping me alive
Sorta kinda not as bad as people say, personally I love the subdued electronic production. the album still keeps mitski's core emotional, lyric-focused style, while providing a unique take on the context that she's placed in. Has some of the best instrumental builds in Mitski's discography, including "There's Nothing Left for You", and arguably "Heat Lightning"- which disappears as soon as it's seen.
genuinely it's kinda impressive how every song of this album is so annoying
hot to go and pink pony club are kinda like her katy perry moment
The instrumental is amazing, but the rap takes me out of the vibe the instrumental sets up, especially the first section. The instrumentals are heavily filtered but the vocals are unfiltered. There's contrast, sure, but I'd rather just listen to an instrumental version; I prefer staying on a clear trajectory in ambient tracks. Still, after this section, the vocals are much more coherent with the rest of the track, being filtered and acting as additions instead of the main focus
If you were expecting this to be like any other Lorde album, it isn't.
I urge anyone who didn't get this album on their first listen to come back years later. Because on my second listen, I enjoyed this album so much. This isn't an album you play for at the pregame or even the afterparty, it's one you play on the next day when you're alone thinking about your future. It's introspective and reflective, it isn't afraid to abandon a thought when it isn't ... read more
a bit weaker than her previous albums(which are near-perfect to me), but still a great album nonetheless.
I'll Change For You is the best track of the album, with a sound Mitski hasn't explored in the past. However, the rest of the album is just overshadowed by "Bury Me At Makeout Creek"/"Laurel Hell"'s better rock and Puberty 2's mellow tracks. Still, the previously mentioned albums are so great that quality sidegrades still make an amazing album.
the fandom cleanse π khia asylum is calling girl
also why is that one guitar sounding like out of myself
Witty and homemade, Fetch The Bolt Cutters is the best Fiona Apple album to date.
There's so much to praise about this album I probably can't fit it into one review. We open in one of the strongest run of tracks I think I've ever experienced in an album- "I Want You To Love Me", "Shameika", "FTBC", and "Under The Table". These songs are not only sonically interesting, with the produced-at-home aspect of the album adding unique sound ... read more
A fast-paced, genre-bending album that screams gen z; gets less intriguing at parts- but still has very strong tracks. my personal favourites are fingernails, for it's dichotomy and lyrics (and the bridge!!), and FYP for it's heavy instrumental; it encapsulates jealousy/comparison so well. Of course, In My Room is the most popular track off the album, and I do think it's the best track (though Fingernails is equal or close) off this album. It pretty much sums up the strengths of ... read more
It's amazing that the Mitski tracks that end up trending become my least favourites, such is this case on this album and with I Bet On Losing Dogs. Either way, this album is still whole, while being both comfortable and uncomfortable.
some of the songs feel unfinished, particularly:
- out of myself
- my reminder
- seeing things
Like they kinda sound like taylor swift songs. they're cute but they already exist and they don't take u anywhere.
it's not an album I've really wanted to come back to aside from the stand out tracks (atlars/dying for you)
aside from those two, I would say the rest of charli's discography is so much stronger; if you want songs that sound similar to this, listen to "True ... read more