Superbloom by Jessie Ware leans into a more traditional sound compared to the first two entries in her disco trilogy. It may be less explosive and hype-driven, but it feels more dancefloor-oriented, groovy and funky.
Beyond that stylistic shift, Superbloom largely carries forward what made its predecessors work: it’s a deeply sensual, melodic, carefully crafted, and thoughtful collection of tracks that fits just about any setting.
Oh, and it's her freakiest so far. Definitely a sex ... read more
Yeah, my very high expectations for upcoming Olivia Rodrigo's album has just become even higher.
Man, she really wanna dive into art pop? That's just fucking incredible, and the first display of this new gimmick is just the perfect addiction to her already sensual and sophisticated style.
Incredible ambition and potential, and incredibly lazy implementation. Every amazing idea, sick beat, or profound monologue stops half-way through.
Still a move in a right direction. If Kanye puts some structure in his work (unlikely) and deletes X (impossible), we may actually get another top-tier album from him.
Man, this album feels just like MUSIC - a few undeniable bangers, real pieces of art with extreme energy and attention to little details, and just... fillers. Same as with the Carti's project, ADL was hyped like it's the second coming of Christ. And it wasn't really worth the hype and the wait as well. Unambitious and even lazy project with a couple of high highs.
Denzel Curry is on his classic souther rap run. And I think that Strictly 4 the Scythe is superior to King of Mischevious South mostly. It's a bunch of energetic, high-paced, earworm club-oriented tracks, pretty much classic Southern hip-hop through and through. Some of them are a bit forgettable (like TAN - meh), others are undeniable bangers (MUTT THAT BIH is fucking tooth-breaking), but overall it’s a very light, high-energy mixtape.
Almost all of the guests show up and deliver: ... read more