ORO

The ones that resemble Kesha's early 2010s era are considerably better than the rest of the songs here. She borrows from many influences like hyperpop, disco, house, etc. But unlike her last album, Gag Order, Period has no focus, and it honestly feels longer than it is. I like the premise of the album, finding herself after battling personal and legal hardships, and I love how it's a big "fuck you" to all the abusers who have shaped her trauma. It's Kesha at her most ... read more

Turnstile's stepped down... a few steps.

Let's go over the band's previous LP, GLOW ON, easily one of my favourite releases of the decade so far. It blended punk's vicious bite with the heavenly sounds of dream pop in a way that sounded fresh, and honestly, pretty nostalgic. It was one of the rare instances where I was completely on board with the glazing by critics and users alike. I mean, shit, after my first-listen, it felt like I was a diehard fan—bought the vinyl ... read more

INSANEEE! 🔥

I'm not ashamed to say I loved Skrillex's earlier works as a kid. Scary Monsters & Nice Sprites and Bangarang EP carry songs of my childhood on their... demurred backs. However, there's no doubt that most of the brostep production from that time sounds dated, ESPECIALLY to people who weren't a fan of that style to begin with. Fortunately, 2023's Quest for Fire reinvented Skrillex back into the electronic scene, a polished EDM adventure filled with ... read more

HAH! Clipping's done it again.