WHITEBOY is an embarrassingly bad song. Rapper Tom Macdonald speaks of and fleshes out his anger with the criticism that white people get. However, its entirely racist and ignorant, and the entirety of his claim on the song is able to be boiled down to "White people shouldn't be criticized because I'm not a bad person" The songs production in itself is plain and uninspired, and the whole point of this song (And Tom MacDonald's popularity in general) is for right wingers ... read more
This review will be concise because it’s a single, but boy do I LOVE this single. This is a cover of Woodentoaster’s iconic “Rainbow Factory” The song being about the creepypasta of the same name. Polybius has their usual amazing spin on the song, but with an unusual twist,cas Polybius isn’t known to do horror songs, they’re usually known for their upbeat Parry Gripp covers. Despite that, Polybius pulls this cover, and vibe off well. The vocal effects on Rays ... read more
“Goblin” is Tyler, The Creators studio debut album. And I love this album an unbelievable amount. While some people might see this album as an album with bad production, and overly edgy lyrics, I see it as a perfect album. While the edgy side of the lyrics are off putting sometimes, I can ignore it. But when Tyler isn’t focused on being edgy, he has clever rhymes and wordplay, and amazing production. From as early as 2007-2009 we have seen Tyler’s amazing production, and ... read more
100 Gecs is the SoundCloud self titled debut of 100 Gecs, and i love it. This is the first instance of Dylan Brady and Laura Les working together and its perfect. The track Bloodstains is such a raw, beautiful, unmixed track, that too many might be unlistenable, but to me is perfect. Laura's almost off putting vocals really helps get the meaning of the song across, which is obviously mental health centered, and is possibly about self harm. In the middle of this song we get an interruption ... read more
10,000 Gecs is as perfect as their debut album 1000 Gecs. This album is more first time listener friendly, but does not refrain from being just as insane. This album is the same at the first, but with more physical instruments. Bangers like Billy Knows Jamie goes entirely Nu-Metal, with insane screams from Laura, while Dylan embraces maybe the softer side of Nu-Metal. But tracks like Hollywood Baby embrace Punk, with an insanely ear wormy chorus sang by Dylan, to Laura's verses, Hollywood ... read more