It starts with sampled strings, and then Earl delivers a short verse. There’s no chorus, no second verse, nothing of the sort. Earl has no time to waste by conforming to the ordinary song structure that a song is supposed to abide by. Just a minute of Earl delivering a verse about his past, about reaping what he sowed in. For a song that barely reaches the minute and a half point and which includes a sampled spoken word outro, ‘100 High Street’ surprisingly includes a whole ...
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