Half trademark Garrix prog. house, half new electronic directions for Martin.
Low points: overly repetitive lyrics on opener hold it back from being a downright classic; frantic vox on "Voodoo"
Highlight: another amazing Shaun feature & surprise drop to close "Inside Our Hearts"
Interesting: nice to hear Marty lean into more hard-edged variations of his sound, embracing some cutting saw synths across tracks 5-7
A microcosm of a man who made incredibly eclectic electronic music, perhaps to a fault. There are so many whimsical melodies pouring out of every track that it's hard to follow along without getting dizzy. While it is undoubtedly his most overwhelming full-length release, for every poorly executed idea there are two worth returning for.
Low points: the squeaky hamster wheel topline on the opener; "True Believer" has the weakest lyrics & vocals put together; distracting SFX ... read more
One of those albums I return to, again and again, to remind me of the unlimited playfulness of spirited electronica.
Low point: "Bango" may be the only tune here that loses me in its chaos
Highlights: sparkling synth melody of title track; squelching swagger of "Try"; final release of closer
Interesting: the spoken word ending to "The Universe Sent Me" is like listening to someone's final words on instant replay
A definite collaborative effort that takes plenty of instinctual risks in the name of fun. While some tracks are underwhelming in isolation, as a set this generally makes for an exhilarating soundscape. Case in point: the damning repetition of lead single "RING THE ALARM" is elevated to impressive effect slotted alongside similarly driving tunes.
Low points: "DANCE ALONE" brings early momentum to an unnecessary halt; closer is an out-of-place, weaker version of ... read more
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