Sporadic grooves are hampered down by a voice that becomes grating over a full tracklist

Mk.gee mentioned❗️❗️❗️

Mediocre at best given how memorable its predecessors are.

More like... Good Cameo amirite

Raitt finds the sweet spot with a set of soulful slow-jams but bundles them in with a collection of groovy yet mediocre tracks.

Highlights - I can't make you love me, Not the only one

I've done farts that sound better than this. I'm a silent but violent kinda guy to.

One note, but that one note fucks.

Tiller shows little to no progression after a long wait.

The production and vocals remain of solid quality, but half baked tracks with a lack of identity wear thin over a 50 minute run-time.

A momentum stalling third LP bloated with remixes and uninspired features which remains slightly elevated in score due to 3 incredible tracks.

While the vocals and instrumentation remain luscious, the album as a whole fails to leave the lasting impact that something like "Essentials" left.

**Deluxe tracks only**

The leftovers taste just as good as the first serving.

A versatile offering from Brockhampton's best that doesn't always hit the mark. While some tracks come off a little half baked, the highs still soar incredibly high.

So far from my usual cup of tea yet so bizarre & raw that I continue to come back for more.

A crazy fusion of nostalgia and alien-like experimentation.

Though it overstays, the high points such as "Fleshless Hand" leave a lasting impact.

An entrancing 33 minute escape to an ethereal realm

My boy Mikael Bubbles has a very suave voice. That being said, I'd rather end it all then sit through an entire Christmas album. Fuck off

Super cool raps! :-)

Haven't finished it yet but the drumming is definitely the highlight. Can't believe Malcolm Oppenheimer is so talented.

Choice!