skulls

Y'know... Whether It was someone whom was a good person or not. The exploitation done on Charlie Kirk is sickening, and I wasn't even a fan of him. For the most part I was indifferent, he had good takes, and he had BAD takes. This isn't even a music review, I just wanted to speak out about this. Can we not normalize dissing dead people? He's dead, is that not enough punishment already? Also, fuck Erika Kirk and the rest of MAGA. Rip Charlie.

What I enjoy the most abt this band (IN GENERAL) is their experimentation. And this album tops it. You have acoustic, emo, metal, metal-CORE, post hardcore... and hyperpop...? Look I'm all for hyperpop, unless its that twinky post-covid shit that's been overtaking the hyperpop genre. But THIS is one of the BEST examples of how to do hyperpop with justice.

Fav Tracks: Kool-Aid, Lost, strangers, Die4u, Limousine, AmEN!, a bullet w/ my name on... etc
Least Fav: None

Already a big step into the right direction. I like how he does the mix between the distorted grungy rage trap mixed with the soul samples. It's pretty creative despite being very modern

This is one of his most unique albums, I love that he did this hyperpop digicore and soundcloud combination of tracks. Although I think the rage genre has turned to shit ever since these Carti fans started glazing bruh, I believe this is one of the best rage concepts aside from WLR. However, I have a few problems. Rich MF, and Captain Crunch have no relevance to this project and only serve as filler that ruin the tracklist (Also fuck Durk). Lastly, the Drake feature makes no sense on this ... read more