really cool. it's like my favourite acts Justice, The Hellp, Gesaffelstein and such without their most fatal flaw – not being hot girls
this one is my least favourite from Annie, besides Daddy's Home. however there's like 5 certified anthems, perfect songs that will forever stick with me, half of them from the deluxe. i think the quirk didn't age very well, but still a brilliant record
a shocking incident occurred when tons of Jessie Ware vinyls were found remorsefully scratched with a rusty nail. big thanks for Harry Styles for repackaging them into a new cover and selling them regardless, saving planet from pollution and encouraging recycling.
wait… i reeeeally like their direction, but it’s kinda insane that of all bands its bassvictim that start sounding like The Dø
people i beg you go rewatch the music video in a big 2026. somehow it feels almost lynchian. these faces from the past terrify me. tommy cash right after will.i.am. brendon urie. sweaty jack antonoff. connor franta nad caspar lee, it's fewerish
to think about it, it's insane that this album was written about her being 21 years old. i might give it a major revisit, because adele has always been so grown to me -- and now i'm nearing 24, looking at 21 year olds already feeling they're quite less mature. how do you write a majestic soul album about being 21 when years later i still feel like i haven't obtained enough soul to fully live my life?
change of a genre still failed to make her an interesting and distinctive artist. unfortunately one of the most prominent instances of “2020’s generic”, a collective psychosis of modern songwriting that makes everyone sound the same. unlike previous two decades, when the sameness prevailed because songs were being written by 2 people in total (max martin and dr. luke), nowadays it’s all the different names but the same result.
here’s the list of artists i would ... read more
very disappointed with half of it being unfinished tracks, especially how insane they sound in contrast with refined tracks like “love you less”.
also, joji’s sound is strange. on the one hand, he has a signature style and kind of carries the particular genre. personal styles usually oppose trends and fads, but with joii it sounds like he’s stuck in 2019. his signature is so of it’s time, it really transports you to the years he was most peak, but it sounds dated ... read more
i hope she finally makes peace with being khia and never stops releasing this type of music. she was awful before
i don't hate Sexistential, i especially love the "i like to go out" bit. but we need to get rid of the boomer technology yap.
the sauce is here. i think it's authentic. it's just that this authenticity isn't for me and the whole thing comes off as cringy. i don't think this fella is a bad boy, i don't get impressed by darker beats and sexual themes. i think this music is targeted to edgy 13-year-olds. there's something very personal about this sound but at the same time he tries too hard to be the weekend. i hate weekend's shtick too.
the highlight is "i always kinda ... read more
how come she always has a couple masterpieces on her records and then some bits are borderline unlistenable
her best song for now. reminds me a lot about tumblr fashionistas 10 years ago or so. definetelly takes inspo from Lykke Li and Banks
i don't get it. sounds like a typical 2016 girlpower pop... literally fight song + jessie j + mapei + seinabo sey + jess glynne mashed together to make an ultimate "nothing beats a jet 2 holiday"-ass album. this sound was digestible only from a dozen of commercialy-flopped black women in a 2-year window that is long gone.
the only thing i respect here is the audacity to make this type of sound in 2021 of all years. too dated, so it sounds really out of place, but too early for a ... read more