This is a cute release, and a cute theme song for mixed-ish, and that's about it. As far as Mariah's discography goes, this is far from her best work, but it's cute nonetheless and it's great to see Mariah contributing to a narrative that resonates with her through writing the theme song to a TV series like this. Decent vocals, decent production, decent writing, nothing brilliant, nothing horrible.
‘No Tomorrow’ is a track that showcases a little bit of a slightly more interesting, faster paced vibes, and no doubt features some of my favourite vocal layerings from Brandy, with the entire track featuring an entrancing melody that feels both haunting, yet romantic. The feature of Ty Dolla $ign unfortunately feels gimmicky and doesn't feel like it does much for the song in comparison to the original mix featured on the parent album. That being said, this is still one of the most ... read more
This is the single we have been waiting on from Brandy. This is her redemption moment. ‘Borderline’, is probably the most hyped track by Brandy prior to the album’s release, and it definitely lives up to it. Lyrically, it feels like a representation of the crossroads between needing love, and finding the maturity to need to find stability within oneself. Brandy’s vocals here encourages a peaceful acceptance of a difficult situation, with some of the most beautiful belted ... read more
‘Baby Mama’, the first official single from this album, has some of the best lyrical content in 2020, with so much genuine positivity exuding from the track, and no doubt the best choice of a first single from the album. The feature of Chance the Rapper, is definitely one of the best decisions Brandy has made in terms of collaborations, and only adds to the song’s power. That being said, in the scope of Brandy's music and even just looking at the 'B7' album itself, musically ... read more
Hands down one of the worst songs on the 'Chromatica' album, which I had already felt was bad overall. The entire track is tacky, her vocals on here sound like they were produced for a 15-second Tik-Tok/Vine vibes, the overall production is quite monotonous and lacks any creative hills and valleys we've come to expect from Lady Gaga. There is nothing decent about this track except that it gave way for Lady Gaga to produce an aesthetically pleasing video, but that has nothing to do with the song.
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