"Hoppin' out the Honda Accord" 🗣️🔥

I think I may be a bit autistic...

Very smooth and soothing to the ears and soul. Absolutely love this album. The Shrine / An Argument is an absolutely astounding track.

Can't let gang know I fw this heavy ️‍🔥️‍🔥️‍🔥

I swear on everything I did not come into this album with a hate boner for Imagine Dragons, I came in with as open of a mind as possible. For a lot; this album is alright and some would say good, but I wont hold you this project was insanely annoying. I lack to see the merit others see in it. The album has no pacing and you jump around from annoying arena rock tracks to fake ass emotional tracks that they clearly catered to be their the bitter sweet feels songs for their concerts. Then they ... read more

This sounds like absolute horseshit; the mix is awful, the beat is ass, even the single cover looks bad lmfao. The lyrics sound like nav right down to the delivery and tone. I only am giving this a 10 because it made me laugh.

Not horrible or offensive, just super generic pop with no character and an annoying fake guitar vst.

This album is absolutely wonderful. Has the strong raw tones, emotion, and pacing of self titled and ll ep's both of which I gave 100s to. Some parts don't hit me super hard as the ep's and its a little messy around the edges with some muddy mixing on some sections and a really loud pop sound some of the songs have on Spotify for some reason. This album kicks ass though and Trophy Lives, Tatoo, and Ouchita all gave me the breathtaking feeling that the ep's gave me and what makes me absolutely ... read more

Wow

This EP is breathtakingly beautiful, and technically/compositionally batshit insane. Spring Forward starts a little odd but god damn it hits like a truck and the ending gives me goose bumps every time I hear it. Thinker Creek is also amazing, the only song I don't feel super strong about is Chamomile, however the guitar playing makes me jealous and works as a really nice interlude into the song that really resonated with me which is Quilt. I could go on for multiple paragraphs on why Quilt is ... read more

OH MY GOD! It sounds like a Limp Bizkit remix

fuck you

AHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH!!!!
OH MY GOD!! I CAN'T BELIEVE THIS!!!

I can't say anything that hasn't already been said, this shit sucks ass. I actually really enjoyed early Trippy and was hopeful for his sound but this is a whole new low lmfao. This is just offensive, gross, and fake emo rap. I don't even care, this is a flat out 0.

Damn; was a bit offput at first, but really enveloping myself into the sounds there are so many cool tones and worlds it builds in your mind. It is absolutely insane this all was made in audacity. Best way to describe the tone of this project is like some dreadful warped industrial proception of reality with familiar but foreign sounds that give a strong off-putting feeling of nostalgia. Kinda sounds like a loose and unhinged instrumental brother of Mount Eerie by The Microphones. Some parts ... read more

Pretty mixed bag. I really enjoyed some of the vibes and elements of the album, but there are a lot of just boring or shitty moments that take away from the good elements. Being a pretty avid MGMT fan and growing up with the music, it kind of just disappointed me. The drums sound super flat, generic, and dated throughout. The cool electronic experimental background elements save it at moments, but it doesn't do enough to pull me away. The songs don't resolve in any grand way, witch is fine in ... read more

Pretty alright pop album at points. Alicia's vocals don't fit as well with this style as much as it did on Chamomile Crush. The album starts faulting when it starts adding weird vocal effects onto her voice and having very repetitive production. Marvelous is the biggest offender of this and drags on for almost 5 minutes. Most of the songs drag pretty bad and it kind of unfortunate. Why Are We Tonight has a very fun cute bedroom pop vibe but should've been a 2 minute song. Overall its just ... read more

Production on this is far better than anything on Scaled and Icy. Very lush and has some really fun details. Don't really fuck with some of the vocal inflections, but this single very promising for the album. Good to see Twenty One Pilots back in their groove.

Very raw and powerful tone. The pacing/structure of the songs where a little off off at times and the mix has a little on the high end. Gave me some real good nostalgic early 2000's vibes. Not sure I enjoy the lyrics all that much on parts of the album. They felt a little bland and blunt at times, worst example being the sorta transphobic line in The Time Is Right (To Be Wrong) putting "changing gender roles" in a list of wrong things to do, however that song in general just comes off ... read more

Unbelievably smooth and detailed jazz rock LP. Alicia Walter's vocals are very odd, but accent with the shifting jazzy instrumentation of the album super well. I wish at some parts of some songs that they would build and end in a more conclusive way, but it defiantly kept subverting my expectations. Even the weaker songs on this project have a really sweet and pretty tone but just lack some kind of compelling reward. Overall an amazing album.

Favorite songs: Chamomile Crush, Suburban Pining, ... read more