takigi

The strings take on a far more central role here. I hesitate to call it his definitive masterpiece, but it undoubtedly belongs among his very best works. The majestic yet unforgiving atmosphere of Blood and Fur Upon the Melting Snow and Ghost Eyes in the Fire Light is nothing short of breathtaking.

Insanely good.

It’s filled with that quintessential “them” feeling — a sweet and sour essence of summer. (I wonder if this sensation is uniquely Japanese or if people from other countries would feel it too.) While the intensity tapers off in the latter half, the first half is excellent.

In Haru to Shura, Haru Nemuri built her sound on a foundation of indie rock (post-rock, shoegaze, punk, noise), and in her next work, she expanded her musical scope while incorporating more electronic elements. In this new release on her independent label, the traces of indie rock have receded, and I feel that elements akin to IDM and rage have grown stronger. It’s a shame that the pop sensibility I love in her — whether it’s the strength of her melodies or the raw outpouring ... read more