Relative to her self-titled debut LP, Rina Sawayama's sophomore effort is full-on adult contemporary. On most tracks she comforts and sings to her troubled, adolescent self, which is made clear right at the get-go with the opening one-two punch that is Minor Feelings and the title track. With lyrical content so focused, coupled with a cohesive sonic palette, Hold The Girl is more comfortable in the past than it is forward-thinking.
Amidst the worldwide resurgence of her 1985 track Running Up That Hill (A Deal With God), many younger music listeners have become newly acquainted with the brilliance of Kate Bush, and perhaps their interest will be piqued enough that they decide to press play on her debut studio album. Unbeknownst to them, The Kick Inside is exclusively comprised of songs that no youth-oriented radio station DJ in their right mind would play. From her deliberately high-pitched and slurred vocals to the ... read more
The occasional lull moment and glimpse of faux depth aside, Billie Eilish's ambitious debut album successfully set itself apart in a sea of inoffensive, cookie-cutter pop.
Cohesiveness is one thing, but with such consistent melodies and lyrical content, most of the songs on Silk Sonic's record feel like products of a multiple pregnancy. Despite being overwhelmingly cheesy in both a charming and sickening way, Silk Sonic accomplished their objective of delivering songs that are brief and fun.
I Should Be So Lucky and The Loco-Motion are cheesy yet enjoyable, and they are the type of songs that can cheer you up if you choose to embrace how silly they are. However, the cheesiness starts to overly sour right after the first two tracks. The rest of the album is more of the same, but less, and she doesn't really say anything beyond liking this anonymous love interest, which would have been fine if the songs were at least sonically pleasant.
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