The re-traumatization of the saturated neoliberal 2000s emerges not merely as a reflection but as a neurotic tic, encapsulated within the hazy vistas of hauntological micro-house and R&B, its structure as fragmented as the discourse of the amnesiac mind. It stands as a wicked ode to the glitchy aberrations of clip culture, evoking a vague, deconstructed memory of an unremarkable solarium session in a suburban shopping mall, a moment that lingers from 15 years past.