Ever since "Turn off the Light" first got me into Kim, the evolution on this album is nothing short of astonishing. From hedonistic party tracks to introspective trans anthems, from synthesizers to acoustic guitars, Kim has finally shed her former persona—that affected, brainless, saccharine sweet slut—and bravely embraced the slightly naive, vulnerable, yet strong version of herself.
Listeners coming for danceable, straightforward EDM bangers might be disappointed, but ... read more
Charli XCX’s new album plays out like a turbulent, eerie love story—one that lacks both the heat and obsession it reaches for. It’s barely satisfactory, yet far too tame. Much like the controversies that dog literary adaptations, Charli captures the raw passion set against the moors of Wuthering Heights, but only skims the surface of the Gothic novel’s twisted love and human nature. The only track that truly channels Heathcliff and Catherine’s manic energy is the ... read more
Sabrina Carpenter's new album treads the line between retro playfulness and tackiness—accessible yet lacking impact. It seems she has not learned from the mediocrity and monotony of her previous album. Instead, she relies entirely on retro-pop atmospheres and formulaic, ear-pleasing pop chord progressions, resulting in a record that loses the distinctiveness of the standout singles from her last release while also lacking memorability and innovation. The album's mixing also ... read more
Although it lacks the ethereal quality of her first two EPs, this catchy synth-pop is still quite addictive. Congrats to her on finally releasing her debut album. I still remember how surprised I was when I first listened to Jazmin's debut album and saw her name listed among the producers.