// One Hour On The Dancefloor With Zero Misses. //
Going into Fever, I knew the album was considered a pop classic, but I did not expect to walk away thinking it might be one of the best pop albums I have ever heard. This was my first time listening to a full Kylie Minogue project, and honestly, what a way to start.
From beginning to end, Fever is an exercise in restraint and confidence. There are no unnecessary detours, no awkward ballads killing the momentum, and no songs that feel like ... read more
// A Good Album Living In The Shadow Of Two Great Ones. //
Going into Man’s Best Friend, I already knew it would have a difficult job ahead of it. Both Emails I Can’t Send and Short n’ Sweet set a very high standard, and while this album is still a strong pop record, it never quite reaches the same heights as its predecessors.
That does not mean the album is disappointing. Far from it. The highs are still incredibly high, and Sabrina continues to prove why she is one of the ... read more
// Dreamy, Sensual, And Maybe a Bit "Too" Cohesive. //
Red Moon In Venus had me in a chokehold back in 2023. At the time, it was also my very first full project by Kali Uchis, and honestly, what an introduction. This album felt like floating through space at 2AM with orange lighting everywhere. Even now, three years later, I still think it is one of the most beautiful R&B albums released this decade.
That said, revisiting it now, I can notice a few flaws that I probably ignored ... read more
// Strong Vocals, Solid Pop, But Still Missing That Final Punch. //
I listened to this album on release day, but somehow never ended up writing a review for it. Now, months later, I still pretty much feel the same way: BITE ME is a really solid pop record with some great moments, strong vocal performances, and just enough personality to stand out from the endless stream of generic pop albums.
What immediately stands out about this project is Renée’s voice. This album is very ... read more