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Critic Reviews
80
It marks Emei as an artist worth following down whatever warren she chooses next.
1y
Tiktok Edit core. Nothing more.
It is frustrating the steep regression that Emei’s music has taken since ‘Scatterbrain’ which showed a lot of potential.
This whole album is basically Emei trying and failing to be Bella Poarch, Trying to create her ‘Inferno’ or ‘Build a Bitch’
The thing that I did love about her first album was her production which brings a lot of magnetism. The title track especially features beats and grooves that immediately pull ... read more
Review #718
Emei gets lambasted as Tiktok fodder simply for blowing up on the platform, but I genuinely see an artist doing their best to cultivate an image and develop a sound. For example, the energy on ALL THESE KIDS with those children on the chorus group vocal, it feels kind of fresh? Like, there's potential here, not being met by the rest of the project. Are tracks like 9 LIVES a little soulless despite being a ballad? Sure. It's not the most interesting track in the world. But ... read more
Still not showing me anything good. I feel like I sound like a hater because I rated one of her songs pretty poorly too, but I promise I’m not! I’d love to see her succeed & make something that’s actually good, but this isn’t it.
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Track List
| 1 | RABBITHOLE 2:21 | 71 |
| 2 | ALL THESE KIDS 1:57 | 59 |
| 3 | 9 LIVES 3:02 | 62 |
| 4 | SUGARCOAT 2:30 | 76 |
| 5 | THE PART 2:44 | 68 |
Total Length: 12 minutes
