Although melancholy has always been Wareham's default musical disposition, here he delivers his sadness with a coy, charming half-smile.
Rather than continue down the line of slender, tender sonic shimmers, it bulges with galaxy-striding effects and country-tinged chimes. And, for that, it's a far richer, more hypnotic listen than its predecessor.
The album is a joyous, well-executed mish-mash rooted in crisp sounds, thanks to James' rock-centric production.
Given the dichotomy between Wareham’s dry, plainspoken demeanor and James’ shoot-for-the-stratosphere tendencies, this album is an epic of modest proportions, a Pocketbook Dean Wareham to go with your Portable Galaxie 500.
Wareham found his unhurried style and perfected it years ago; now it’s all about fine-tuning, and Dean Wareham feels more finely tuned than ever.
Ultimately, this is an album of wildly swinging emotions. For every glorious uplifting moment, there’s a lyrical barb or plainly expressed doubt to counteract it.
Dean Wareham is an album that sees both of its key players growing in stature as it progresses; I could take or leave the first half, but the second is a delight.
Over stroked guitars and brushed drums, Wareham's wobbling vocal decorates nine bruised and down tempo songs that rarely do anything more than roll along gently to an underwhelming conclusion.
| 1 | The Dancer Disappears 3:29 | |
| 2 | Beat the Devil 4:12 | |
| 3 | Heartless People 4:54 | |
| 4 | My Eyes Are Blue 3:22 | |
| 5 | Love Is Not a Roof Against the Rain 2:55 | |
| 6 | Holding Pattern 4:05 | |
| 7 | I Can Only Give My All 3:10 | |
| 8 | Babes in the Woods 6:19 | |
| 9 | Happy & Free 6:09 |