With Odd Blood, Yeasayer earn their stripes as indie-pop innovators, but they would surely benefit from exercising just a tad more control over their wild, conflicting urges.
Despite the fact that John Leckie at Abbey Road produced it, this is jazz first and foremost, and there are segments of wild improv sure to turn off fearful jazzophobes. For less sensitive ears, though, this is a rich, rewarding, thought-provoking listen.
It may well become the soundtrack to many a summer party, but it would be a critical disservice to ignore the fact that Manners is an inconsistent, superficial work.
The Horrors may still look like a noxious gang of Camden attention-seekers, but the thrilling bombast of Primary Colours will ensure we listen as well.
Songs in A&E maintains a natural development in the band's career: quieter, yes, but as thunderously emotive as ever.
The Airing is a shattering breakthrough: more than mere Arcade Fire sound-a-likes, Titus Andronicus are the latest and best band to take the existentialist who-gives-a-fuck baton and run with it.
Cassius is another bristling groove to ramp up anticipation around debut album Antidotes.
Made In The Dark only ups the idiosyncratic ante, while adding a deeper thrust to their made-in-the-shed aesthetic.