the concept of having two releases with the same name

I miss them

Define "dissapointing"

After her magnum opus, Charli finds herself doing what would've been a decent follow up... but for Sucker. This album is not only a "mid" album in her discography, is a regression to a sound that had long been forgotten for nearly a decade that, in order to feel it more fresh was mixed with some of the "80's rebirth sound" that was popular during that time. Honestly, this album felt dated since the day it dropped and, even though ... read more

Even though projects like Pop 2, Number 1 Angel and Vroom Vroom were those who cimented her sound, Charli's selftitled album was the one that made her decide its approach: to make the sounds of the future and the present collide. Which, as many of you say, resulted a near perfect balance of the commercial 2010's pop music and the experimentation that was present in her past mixtapes and ep's.

favs: 1999, White Mercedes, Gone, Silver Cross
least favs: Blame It On Your Love, ... read more

Tool's songs are so good when you forget about their insufferable fandom

Ophelia wasnt stuck on a tower, that's Rapunzel

It's just a Maybelline jingle

why are you looking at me like that

nostalgia rock

RATING FROM THE NEW SONGS ONLY.

lovely expansion of an already surprisingly good record

this is my first impression of her and I FUCKING LOVE IT (I'm not counting attention since that's a feature)

the concept of they releasing their best album again thrice in a row

the concept of the weakest single being a 9/10 oh peakdelena bay

If only all the album was like this

RATING IS FROM THE NEW SONGS ONLY.

You know, I hate this trend of pop artists that consist of releasing some of their highlights of an "era" in a bootleg deluxe version of their respective album, like, they could replace the tracks that they know won't have a good reception with some of these and you at least had a 7/10 album

SEX IS POWER - 7.5/10
HOW TO SAY GOODBYE - 7/10
KEY TO THE CASTLE - 8/10
UNFAMILIAR HEAVENS - 8/10
EVERYBODY KNOWS I'M SAD (REMIX) - 7.5/10

words cannot describe these feelings this song manifested on me. all I can say that this may be the album of the year

After the ecletic travel that was Autopoietica, Mon Laferte returns to a more classical sound in her discography, surrounded by incredible vocals and deep poetry pieces, but mixed with some of the experimentation and knowledge her past record gave to her. Resulting in one of the best works of art made by her hands and voice.

I don't get the hate

dance pop classic that get everything right except the cover

this is how it feels every second without Raye's second album