On her ninth studio album, Lana Del Rey returns with an album that harkens back to the songwriting and fervent energy of her 2019 record, “Norman Fucking Rockwell” (NFR). She delves into themes of memory, and the lasting legacy that is seen through not only the public's eyes but also her family's eyes.
On the opening track “The Grants,” Lana seems hellbent on creating a good legacy for her family name, while also trying to remember and be remembered for the beauty that ... read more
This album was made for the Booktok crowd.
Since I started this account in an attempt to improve my writing skills, I thought it would be a good idea to attempt and balance out the good/bad ratio of what I'm covering, so apologies to the 1 person who reads this if it comes off more rant-like.
No one is more angry at this album's existence than I am. I don't even know truly where to begin with how this album makes me feel because it's so hard to unpack this level of disappointment. ... read more
It's always refreshing to have a Billie Eilish release, as she's someone that I honestly feel like I've grown with each release, almost like giving myself a chance to reflect on myself in a way other musicians just can't offer. This isn't solely due to my perceived quality of the music (although I do quite like almost all of her releases) but simply due to her somewhat matching my musical taste as we both have aged.
When she released her debut EP, I was a depressed 13-year-old, who had ... read more
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