All bands start somewhere, and Motörhead started off their career with their self titled debut album, which is probably the most rough sounding album the band ever released. That being said, there is some gold here, and Motörhead’s future potential shines through on many of the albums tracks. This album is a great start, however due to the bands later works being superior, it doesn’t have a whole lot of replay value.
Standout tracks: Motörhead, Iron Horse/Born to ... read more
This album was the soundtrack to a big chunk of my childhood and will always be special to me, plus it gets big nostalgia point. This record is everything you could want from a late 90’s alt rock album.
I mean, at least it wasn't as bad as the singles made it out to be, but it's still not good. There were a few deep cuts on here that showed glimmers of hope ("Algorithm", "Blockades", "The Void"), but the album felt so cheap and rushed, like the band released Dig Down as a stand alone single over a year ago and then went "Hey, we should write an album around this" and then wrote a discount Stranger Things soundtrack to fill out another ten tracks, with ... read more
On Priests 17th studio outing, the don't cover any new ground, but that's not necessarily a bad thing. This album is leagues above it's predecessor Nostradamus, in the way that there is actually memorable content on this album. Despite this, Redeemer of Souls still has some pretty big issues that stop it from being a good album. First, the production is awful, the guitars sound flat and all the guitar solos are really low in the mix for some reason, which takes away from the intensity of some ... read more