Joseph Hammer - I Love You Please Love Me Too
90

When a rotating constellation of snippets plays in your head every single time you wake up, every single time you eat breakfast, every single time you brush your teeth, every single time you go out, every single time you eat dinner, and every single time you go to sleep — do not be afraid to call it the soundtrack to your existence. No matter the headspace, I am plunged beyond the Schwarzschild radius, towards a space where all the words signify the same sensation, yet they need not ring ... read more

bbno$ - super saiyan flex
20

Had a brief exchange with this guy in 2017/2018, which means I have to parasocially support the dogshit he puts out to this day.

The Boswell Sisters - Boswell Sisters
50

The Boswell Sisters present a conundrum for me, in that for as intriguing and enjoyable as their jazz and blues renditions were — the ghost of cultural appropriation hangs over the influence they exerted and success they attained. Unlike Elvis Presley, whose (in my view) biggest sin was being boring and stereotypical by the time he arrived with years of rhythm and blues baggage, to the point that with the process of overshadowing his antecedents with his brand of rockabilly, it drew ... read more

yamaha - without a choice in the first place, crystallized in time
NR

This is the logical conclusion of webcore aestheticization and an interesting peek into the race for attention seeking in a landscape homogenized by social rejects.

Kendrick Lamar - Mr. Morale & The Big Steppers
20

Why do you dream of being a positive influence on the world, when you're not even a positive influence to those in your immediate vicinity? Or maybe they were just your pawns for moral posturing, and you truly don't care about their betterment? Was it worth it? Your selective moralism will consume you. There's no example to be extrapolated from your stances, the only tangible presence is a humiliating shroud of self-awareness permeating through the never-ending labyrinth where ... read more

Los Thuthanaka - Los Thuthanaka
70

I still have my old Yamaha keyboard which features the same shitty presets scattered across this album, therefore I am morally obligated to adore it for turning them into something palatable and peculiar. As a child, messing around with these vox one shots and synths abused on track three, for example, made me think they were unusable in their raw state but I guess the Cramptons are too overpowered. Seriously, the whole album experience is amazing and such a ravishing synthesis of their ... read more

Bluetile Lounge - Lowercase
80

Just like every standard thought, unoriginal, some of my writing is kept within an existentialist framework, only able to be manifested as ideas already formed before but being able to come to conclusions like the ones presented below on your own is an exertion of the mind worth indulging in, even if it's kind of silly from an outside point of view. Everything encompassing this LP - the timbre of the instruments, the song structures, the lyrics, and even the album cover made me think of ... read more

Quadeca - Vanisher, Horizon Scraper
40

My issue with artists like Quadeca is their obsession with finding some amorphous energy of what "objectively good music" is as an idea which keeps getting brought up by anonymous usernames on Twitter. To me, it's just maximalism over form and emotional connection. His music is made with a type of listener in mind who would cry to a Hans Zimmer score on the basis of it sounding epic and overwhelming on its own. A superficial feeling which doesn't capture what artistic ... read more

20

An obvious reminder for artists with dedicated followings who want to leave a "unique" imprint on their genre:

blandness in art is an imaginary concept, entirely dependent on the knowledge base of the listener. What you need to do to be considered original is to unabashedly copy musical ideas from contemporaries too obscure to the public and you'll be showered with praise. To practice the reverse and steal from the already established, in command of audiences bigger than yours, ... read more

John Cage - 4’33”
50

When I noticed the feebleness with which I've been sitting, trying to formulate a coherent thought on this piece, it left me with the impression that I have nothing interesting to say, so I'll just leave you with this excerpt from a book, all in the name of some free internet likes.

"The first time he perceived this presence, it was night. By a light which came down through the shutters and divided the bed in two, he saw that the room was totally empty, so incapable of ... read more

me&me - Playdough Cooked in Tea
20

The characters and events depicted in this scenario are fictitious and any similarity to actual persons is purely coincidental.

Person 1 - "if anyone want's context for 11:22 here it is

this is a parody on the album "a crow looked at me" by mount eerie, talking about how his wife has died (great album that everyone should listen to)

THIS is an album mocking his wifes death."

Person 2 - "@Person 1 No, it doesn't "mock his wife's death" lmfao ... read more

Playboi Carti - MUSIC
20

In the Summa Theologiae, Medieval theologian Thomas Aquinas said Sloth is "sluggishness of the mind which neglects to begin good... [it] is evil in its effect, if it so oppresses man as to draw him away entirely from good deeds." (2,35, ad 1)

The Pocket Catholic Catechism says:

Sloth is the desire for ease, even at the expense of doing the known will of God. Whatever we do in life requires effort. Everything we do is to be a means of salvation. The slothful person is unwilling to ... read more

Royal Concertgebouw Orchestra / Asko Ensemble / Riccardo Chailly - Varèse: The Complete Works
80

I did a cool thing.
https://www.reddit.com/r/architecture/comments/1icbcyy/made_a_model_of_the_philips_pavilion_by_iannis/

Edward Skeletrix - Museum Music
60

You can make music whichever way you want, don't listen to assholes like me who degrade your expression with their expectations.

Let me preface by saying that the way of thinking which is going to be discussed I've fallen victim to, myself. You can read my previous review of Tyler, the Creator's CHROMAKOPIA to get exactly what I mean. With the rise of music review culture and critically engaging with art on sites such as RateYourMusic or Album of The Year, there has been a ... read more

Tyler, The Creator - CHROMAKOPIA
20

All possibilities seem to have been exhausted.

I've been a fan of Tyler's work for a little over eight years now and there has always been a bit of admiration for his artistic canon in my soul. Being able to unapologetically shoot yourself up to mainstream status without sacrificing your identity and neutering your vision is a commendable feat, no matter how good or bad your music is. When listening to pop radio stations in 2017, every day I was more and more convinced that the ... read more

Kamasi Washington - Fearless Movement
20

Kamasi Washington is jazz for people who search up "JD Beck Zildjian Live Reaction"

Vorak - Triumph of the Will
20

Everything before September 12th 1996 will now be classified as B.V. (Before Vorak).
Bullshittery spread its wings on this fateful day.
Should've been mourning the five-year anniversary of this being released, instead.
Philosophy of the World if the "Philosophy" was nazism.
Accurate representation of what an average René Guénon worshipper sounds like.
Stockhausen for people who collect scat porn.
Was pulled out of the Guantanamo Bay playlist because the subjects ... read more

Jane Remover - Census Designated
20

Jane Remover's departure from her signature "Frailty" sound proves to be a hindrance as her inexperience with the brand of music presented creates an album that starts way worse than it ends. The main aspect of well-executed shoegaze is the artist's ability to create intriguing textures and dynamic performances. Bands like Alcest and Lift to Experience have pulled from these influences perfectly to create something unquotable. As for Jane, the said uniqueness and sharp song ... read more

Three 6 Mafia - Underground Vol. 1 (1991-1994)
70

This compilation has all of the hip-hop infinity stones.
I'll just randomly play one song from it and, suddenly, I'm legally obligated to play the rest of the tracklist, no matter how long it takes.

Dream - to whoever wants to hear
NR

The word 'enjoy' should have a capital 'e'. You fucking dumbass.
Not surprised this EP sucks, considering he cannot even write letters correctly.

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Recent Review Comments
On geraldcap's review of Vince Staples - Cry Baby
"stop ragging on this review, idiots; it requires a lot of media literacy to actually grasp what this person is communicating. here, have some gold ⭐"
On commercequay23's review of Before God - A "Flood" Before God.
"@Bitterman There are huge philosophical movements like posthumanism and speculative realism which challenge these notions of fixed human identity. This extends to reimagining the priorities in art evaluation as well, read up on how thinkers try to overcome correlationism."
On commercequay23's review of Before God - A "Flood" Before God.
"@maskimus Maybe in the future. Reading it back there are also sections I cringe looking back at, like there's a pointless tangent on the political economy, for example. The latter half also needs revising, but I could take an excerpt of like two chapters and DM it to you on RYM."
On commercequay23's review of Before God - A "Flood" Before God.
"Too many people place the subject (the artist) as the ultimate source from which significance is derived. I was going to post a lengthier review detailing this phenomenon you're talking about under this record, but it's too niche."
On geraldcap's review of Vince Staples - Cry Baby
"@4shdwz_ ☠️☠️☠️☠️"
On Quadeca - Vanisher, Horizon Scraper
"@Bot10Exists Thanks. I dislike this review nowadays, maybe it'll be replaced by a 5k+ word text on AI generation in art when popular enough discourse emerges, like with the Velvet Sundown shit. That "Flood" Before God album is too niche to warrant posting."
On Joseph Hammer - I Love You Please Love Me Too
"@Inorma I mean, the shitty officiating goes both ways, also favoring the Spurs in other games, e.g. the inconsistency between Castle's handchecks on SGA being ignored in some and then heavily punished in the next, with added phantom calls on top of that. It's boring and doesn't present an actual direction for a series."
On Joseph Hammer - I Love You Please Love Me Too
"@Lied I would still be inclined to believe that game 7 is favoring OKC even with injuries. The officiating asymmetry between games is by design and it's just a shitty dragged out audience retention scheme."
On Joseph Hammer - I Love You Please Love Me Too
"@Lied Just wanted to make sure that you didn't interpret that as "Castle couldn't score 20", I was talking about SGA. I agree with your assessment, and we don't even need to see his playoff performances to know that, as he's already plenty proven that in the regular season."
On Joseph Hammer - I Love You Please Love Me Too
"@Lied Couldn't even score 20... though I'm more surprised with how mobile Fox has been -- reading the report it seemed to me that they wouldn't let him play, but it looks like the good scenario for the Spurs."
On The_block's review of נועם בתן [Noam Bettan] - Michelle
"It's no different to the Tom MacDonald hate on this site, a self-fulfilling engine fueling these people's notoriety."
On The_block's review of נועם בתן [Noam Bettan] - Michelle
"Yes. You can discuss Israel's place in Eurovision and the intrinsic double standards in their involvement with other organized events while Russia is effectively locked out (not to mention the fraud and their obvious geographic misalignment because the ME is too antagonistic for them, I wonder why), but having your sole purpose just be rating this negatively to voice your dissatisfaction is not only worthless, but clutters the section for reviews that could actually feature a comprehensive analysis for why heavy opposition is there in the first place. Why do people not mention the rejected petitions, the BBC ruling, the open letter counterinitiative by 1000+ entertainment industry figures to keep Israel on board, etc. ?"
On Joseph Hammer - I Love You Please Love Me Too
"@Inorma Maybe it's going to get better for Castle, hopefully. I would just be wary of Harper's willingness to come back on the court, as we don't have the context to know if he was going to play through the pain and discomfort, potentially jeopardizing his future games, or if he was actually fine. Right now it's hearsay, but seeing how he moves on the court will resolve this uncertainty."
On me&me - Playdough Cooked in Tea
"@Bot10Exists Perchance, but they were also hostile and contributed to the environment so I wouldn't cut them as much slack."
On Joseph Hammer - I Love You Please Love Me Too
"@Inorma As for Spurs in 5... I would hope so! I'm scared about Fox's and Harper's injuries though — what Fox is dealing with sounds pretty definitively like he's out for the series, and I wouldn't be so sure about Harper's capabilities at this current moment. With all the shenanigans, it more so looks to me like the NBA execs would really love to draw this series out to 7 and milk it for as long as possible."
On Joseph Hammer - I Love You Please Love Me Too
"@Inorma Appreciate it... unfortunately, over the last year or two I've had terrible periods of overt self-criticism that made me not want to post anything, and when I would eventually do so, it immediately became a scourge to me. The latter half of this review was taken from my short personal essay on thought formulation and sign systems which is probably never going to see the light of day, but it's fun to gather your thoughts to know your values and I would heavily recommend you to engage in similar pondering — it's pretty productive for actual navigation in the real world."
On hazyvizions's review of JPEGMAFIA - EXPERIMENTAL RAP
"@Syrenity It's not even depoliticization, he's essentially flipping the script on what he's supposed to stand for. You wouldn't (analogy is not a 1 to 1 stand in, I'm not gonna moralize to this insufferable extent) look at someone like they have it figured out if they proclaim they're a man of God, then proceed to profess their love for Baal later down the line and pretend like these things are not mutually exclusive."
On ruberosie's review of JPEGMAFIA - EXPERIMENTAL RAP
"@BritishVinegar I will be honest with you, just look at the record you're commenting under and see how much he punches down, how cynical and complacent his viewpoint actually is, e.g. on "$" he says "Look in they eyes, they see dollar signs All of this guap, I just can't decline Stop all hiding, it's hunting time Or the money gon' find you, I'm stuffing mine, brrt" (that's the first that came to mind). There is such a thematic gap between activists like Moor Mother and this schlock; if he's a communist artist, then he's doing a terrible job of organizing lol. Kanye was already bad enough--to stoop to that level and appease one of the most detrimental figures in the history of rap, but the perspective from which he raps is backwards."
On ruberosie's review of JPEGMAFIA - EXPERIMENTAL RAP
"@BritishVinegar Is the DPRK a democratic republic? Were the nazis socialist? lol you can call yourself a lot of shit, but actions do speak louder than words sometimes."
On Joseph Hammer - I Love You Please Love Me Too
"@Lied We saw the meltdowns last year with the Pacers, but at least they're pushing further now."
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April Playlist