Rap cabaret is a terrible combination

Monotony tipping into facelessness—and at times outright tastelessness. An extremely mediocre album, on par with Reputation. How do you make something like this with the very best producers? Taylor is mired in a swamp of her own recycled tracks.

Touted as “the best album since 1989,” it offers nothing but an “album made for the sake of an album.” A diss track at Charli? Girl, she’ll wipe off the venomous spit and keep walking. “The Life of the ... read more

Pop that hits reset: these tracks pull Arca’s glacial drama into The Prodigy’s kinetic rush, borrow Flume’s polished gleam and Die Antwoord’s snarl—not as a citation checklist, but as Larsson’s own mythology. Caroline Polachek on backing vocals isn’t a cameo for the name; she’s a luminous counterpoint that adds lift and gravity. The production crackles, the hooks stick, the pauses breathe—the record holds its tension to the very end.
9/10

Making a "pop album" doesn't necessarily mean going into rap and RnB

The strangest and most controversial album of this year. It's not typical. Unlike the others. The aesthetics of the 2000s is very fascinating. But it alone is not enough. The tracks themselves on the album are dull, they lack brightness. In some places you get the impression that you are listening to a collection of ringtones.

5/10.

The album is very monotonous and stereotypical. There is nothing new and interesting. When trying to be like Freddie Mercury, he lost his own identity.

Лучший альбом 2025 года!

The album turned out to be extremely boring and monotonous. A haunting, annoying sound that everyone has already heard so many times. There is nothing new. The increased dark colors do not allow it to stand out from the albums of other artists. Collaborations are also not new. Lana Del Rey is not revealed, but very hidden. The end of the artist's pseudonym without bright colors, without a storm of emotions. The ending was extremely blurry, dark and ambiguous. The album, so anticipated by ... read more

So short

This is a very bad parody of post malone. A very passive release. The voice is lost behind country rhythms, sometimes inappropriate in relation to the voice. Rap inserts into tracks sound as inappropriate as possible!

The album is very innovative and experimental. He is ahead of his time, at least 200 years ahead of his time. A new round for ambient and a breath of fresh air. 6/10.
After listening, my head hurts very much.

The old lady is shaking the old stuff to the fullest! She doesn't sing karaoke, she can afford to record an entire album and sing her favorite songs with big stars! Dolly is in no hurry, the album is big, but that doesn't stop her, she can release it of any length! I've never liked rock and roll, but Dolly was able to light up and made it fun and listenable. She's a real rock star!

Classical harmonies, beautiful guitar parts, the main stars of the genre - this is how Post Malone's country music of 2024 sounds. He revived it, brought it back to its origins, renewed and polished it to a shine. The album sounds very fresh, just right for long trips through the wild west in a car with an open window and a warm wind in your face. Post Malone transforms into a multi-genre performer who can handle any genre. He can write a duet with any performer. The dawn of country music ... read more

With this album, Billie showed the real evolution of herself as an artist. The release does not leave indifferent emotions after the first listening. And after the next auditions, he doesn't bother you, but makes you fall in love with him with renewed vigor.
This is exactly the sound of Billy that she needed.

The much-anticipated album did not turn out to be as long as we would like. But those tracks that are on record are enough to enjoy the mood and atmosphere of cozy night streets. The deluxe version is not enough to be immersed in the album for as long as possible

An ambiguous album. There are some very cool tracks, but they are too diverse. There is not enough commitment to one style. It's hard to call the project an "album" more like a mixtape. It's hard enough to listen to it entirely from beginning to end

Changing the style of a "broken record" is the best solution. The solo album feels more personal and open compared to the previous ones. The change of sound is very successful and organic. Small roughness in singing is compensated by a good sound track.

He reveals himself from new sides. Collaborations with other artists perfectly complement the album

Worst art work

I don’t like this interludes