His delivery here is fucking heavenly... god I miss this Trippie sm...
DON'T TALK TO STRANGERS, SINCE A YOUNGIN I BEEN TOTIN' BANGERS
Never in a million years did I think a Ken feature would work well over this production but he fucking killed it. Not to detract from 070 Shake's contributions, she did amazing as well, her vocals totally matched the vibe established by the production. Speaking of the production, it's fucking incredible. A must-listen for anyone into either artist or experimental hip hop.
A super fun listen. Although I think that the production can be a bit hit-or-miss, Lime King's performances are super solid the entire way through with clean flows, witty lyrics, and infectious energy. "You should try and bust in over 21 like Black Jack 'cause I heard that boy was into minors, no Jack Black" is a crazy line.
FAVORITES: ☆BIG CITRUS☆, ERECTILE DYSFUNCTION, GET BACK FREESTYLE
LEAST FAVORITE: KING TALK
This feels like a suicide note. The low-quality beat sounds nightmarish and putrid, yet somehow beautiful at the same time. Ye's rapping and vocals come off as frantic. The way he addresses the subject of the song so bluntly and concisely makes it feel as though he couldn't wait to stop talking about it. The AI Ye verse over Dave Blunts' "10 PERCS" reaffirms this feeling, as a sad and rather catchy chorus is added to the song with minimal effort on the part of Ye, ... read more
The random 6 second pause before the gunshot snare is the funniest shit ever
I wanna get my hands on the Ron Browz autotune so fucking bad like how does this even happen? Also the beat is so fucking dinky I feel like I could remake it one-to-one with a cheap pair of bongos and a single snare. That being said this is the funniest shit I've ever heard, plus it's so iconic that I think it deserves a 100.
Second half goes unbelievably hard holy shit why can't this mf try more often
EDIT: 10->45 This album sounds much better when I'm not on my ADHD meds ngl. The main issue here is that it's incredibly formulaic and derivative of itself and presents almost no new ideas between tracks, but I don't think that the sound of this project is all that terrible. I think that this project is at its worst when TOPHAMHAT-KYO's rapping isn't able to match the energy of the production, like on Yosomono, but when he does I actually think that this project is ... read more