The rebellious youth energy that made Teen of Denial so vital has been stripped away for no obvious reason, leaving an album that feels hollow where its predecessor felt alive.
On their 26th record, King Gizzard takes on yet another genre and mostly makes it work, despite it feeling a bit half-baked.
Peggy's newest album is his most ambitious and instrumentally diverse yet, starting off by bursting through the door with bangers and ending with melancholy rap ballads.
In a year filled with releases from major pop artists, Charli XCX casually drops an instant classic with no fillers or low points, sounding unlike anyone else in a typically saturated genre. Collaborating with the crème de la crème of producers and showcasing her strongest writing to date, this album is poised to top many year-end lists and potentially be regarded as one of the best albums of the decade.
"Clancy" represents a partial return to form since "Trench," but it still feels somewhat scattered and inconsistent in quality.