![Fishmans - 98.12.28 男達の別れ [98.12.28 Otokotachi no wakare]](https://cdn2.albumoftheyear.org/100x0/album/53597-981228-981228-otokotachi-no-wakare_104548.jpg)
Greatest live performance of anything ever.
Two hours of straight nothing but amazing.
She really didn't have to release this to ride on the BRAT fame.
She got different artists to ride on different songs on this album with their own style. Even though it's not bad, its ultimately repetitive because it's all songs we've already heard.
except for the lorde and Billie remixes those were bangers
diddy diddling little kids in the kiddie pool as he fiddles and jiggles his nipples and sticks his pickle inside two cripples
![松原みき [Miki Matsubara] - 真夜中のドア～Stay with Me](https://cdn2.albumoftheyear.org/100x0/album/286986-stay-with-me.jpg)
Grim title
Edit: respect for them pulling their music off spotify
Mr Melon can have the displeasure of having a pitchfork up his ass, and pitchfork can have the displeasure of being up Mr Melon's ass.
I want to love and be loved with love as strong as this one day.
You will just feel an overwhelming depression while listening to this album as you read along the lyrics.
Terrifying and Devastating. Really shows you that life is short. To not take anything for granted. Everything you have can disappear at any moment. To appreciate life. To live every moment.
I never want to listen to this album ever again
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Recent Review Comments
On NonAnon's review of BTS - ARIRANG
"@NonAnon I'm afraid ur interacting with either bots or paid actor
account made today, a single review and it's a 100 on the new album.
And to the paid actor: "it's so tight, I MEAN- our relationship" the line itself does imply/have sexual undertones."
On Quadeca - i.ii.iii
"@SlintandYeatLuv it's good it's not 90+ good tho"
On NonAnon's review of 高中正義 [Masayoshi Takanaka] - BRASILIAN SKIES
"@inertema
Bossa nova emerged in Brazil in the late 1950s as a deliberate fusion of samba and jazz, often credited to artists like João Gilberto, Antonio Carlos Jobim, and Vinicius de Moraes. Bossa nova took syncopation and melodies of samba and recreated them with the harmonies of American jazz. The genre's 'iconic sound' is calm and gentle fingerstyle-guitar patterns, samba's rhythmic drive, smooth vocals, and chords drawn from jazz, such as 9ths, 11ths, and 13ths.
To your credit, Samba is in fact a Brazilian genre that is independent of jazz origins or direct influence.
But you have to read a bit more carefully before you comment.
NonAnon is talking about Bossa Nova, and Bossa Nova is often best described as a samba/jazz fusion."
On Christopher Larkin - Hollow Knight: Silksong (Original Soundtrack)
"@NonAnon im poor"
On Quadeca - Vanisher, Horizon Scraper
"@NonAnon fffffffffffFUCK no"
On NonAnon's review of 공중도둑 [Mid-Air Thief] - 무너지기 [Crumbling]
"I've never met this man in my entire life"
On NonAnon's review of Tyler, The Creator - DON'T TAP THE GLASS
"This website is going to die when Quadeca's album drops"
On Kid Cudi - Man On The Moon: The End Of Day
"@Gwagon35701 he also said new magic wand was the 2nd worst song on IGOR"
On Ken Carson - More Chaos
"@MclovinsID Quadeca is infinitely times better than Ken Carson, kind of an unfair comparison imo"
On XXXTENTACION - 17
"@Zylow damn that's kinda ur opinion"
On Car Seat Headrest - How To Leave Town
"@noxiiEM, one more
https://www.loudandquiet.com/interview/car-seat-headrest-cover-story-will-toledos-12-album-overnight-success-story/
"The journey towards what became ‘Teens of Denial’ began in 2014, as a reaction to the response he received to his 2013 double album ‘Nervous Young Man’. “I think people just had a hard time listening to it because it was so long...Usually knowing what you want to do does take longer to come into shape because you have to reject more material...This rejected material eventually found a home on ‘How to Leave Town’.""
On Car Seat Headrest - How To Leave Town
"@noxiiEM
https://uproxx.com/music/car-seat-headrest-bandcamp-albums/
"That’s one of the reasons why [Teens of Denial] took so long for me to write. It was about two years before it was done because I was generating a lot of material but I wanted a certain aesthetic for it and it took me a while before I had enough pieces that it could really feel coherent in that way.
For me [How To Leave Town] reads like basically a B-sides/outtakes collection but sort of conceptually so, not just that literal thing. A lot of the times, to me, a collection of outtakes that a band puts out from a certain era will be more interesting as an album listening experience""
On Car Seat Headrest - Gethsemane
"@OutOverThePA my fault gang i use internet explorer"
On NonAnon's review of Bon Iver - For Emma, Forever Ago
"u only listened to it because I listened to it"
On Low Roar - 0
"@NonAnon you won't, i know you won't"
On Cage the Elephant - Melophobia
"@NonAnon better than u"
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