With every release, BCNR manage to create something truly amazing, and this album is no exception.

"Forever Howlong" serves as the six-piece's first studio album without ex-frontman Isaac, and whilst I still miss his impact on the band's music, it's fair to say that they're still incredibly capable of making beautiful music without him. The vocals are gorgeous, the instrumentation is intricate, with a stunning blend of folk, rock, and Beatles-tinged progressive ... read more

God knows why, at the peak of his pop career, Harry Nilsson decided to release an album full of traditional pop standards, but he did and it's this album and it's alright, especially if you want something a bit foot tappy for a chill evening in.

I'm sure, like many people here, I grew up as a young teenager listening to the music of Skrillex and others. Its influence on me and my musical tastes was significant, but as I grew older, I realised that much of this music wasn't particularly great. While there were peaks on plenty of these albums, there was also a fair share of shit. That said, "F*CK YOU SKRILLEX..." is essentially a DJ mix of that genre, but polished to a tee. I really liked the features, the production ... read more

Fucking hell!

Super spacey, super psychedelic rock and pop from Australia. The album starts a little slow, but the quality of the back half is completely undeniable.

Extremely high-quality and very varied from ambient beauties to bubblegum bass bangers.

It's a bit generic, but it's not bad.

"Earthstar Mountain" effortlessly zig-zags between indie pop and singer-songwriter with beautiful and varied vocals and gorgeous instrumentation. There isn't a dull moment in this album.

As someone that calls himself a pretty big Madison Cunningham fan, I feel bad that it's taken me 6 months to get round to this, especially because it's so good. Cunningham and Bird's voices work in perfect tandem to create an experience that does feel very Buckingham/Nicks. And the instrumentation is beautiful as well. There are a couple of tracks here that perhaps aren't as strong as others, but they're a drop in an ocean of beautiful tracks.

False Heads’ EP “Cracked” marks their first release featuring new drummer Charlie. The collection showcases moments of strong hooks and compelling breakdowns, though it falls short of innovation. The sound mixing is uneven, with the drums overpowering the title track, leaving the overall experience feeling somewhat generic at times.

At this point, Bremer/McCoy have been creating chilled chamber jazz to relax to for over a decade, and it still doesn’t feel stale. While "Kosmos" is not their strongest work, with other albums featuring more memorable tracks, it still achieves its intended purpose. Their ultra-simplistic combination of bass and keys simply works.

Noisy, with some interesting indie and pop elements, but unfortunately it can feel a bit weak in some areas. Not bad-- just alright.

For their fourth album, Japanese Breakfast explores a very different sound, leaning heavily into folk and singer-songwriter styles rather than their usual synth-filled indie pop flavour.

This combination really works, delivering some exceptionally strong tracks. I can't say I was a fan of Jeff Bridges' feature, but aside from that, there aren't really any weak points.

Magdalena Bay have this special gift when it comes to creating an album so well-sequenced that it feels like no other song could have better followed the one previous. The album’s looping structure, where it ends right back at the beginning, perfectly shows this. The quality of the music is exceptional too, with some really nice chilled synth-pop grooves matched by grittier numbers here and there. This debut LP shows the band to be a force to be reckoned with in the Dance-Pop scene.

An enjoyable folk rock album that, at its best, could sit alongside some of D'Addario's finest work, and at its worst, feels like an off-cut that didn't make it onto a Lemon Twigs album. Its softer writing style is perfect for fans of "Everything Harmony", offering a listening experience that's even more intimate and introspective.

Enjoyable indie/sing-songwriter vibes. Beautiful vocals and super light production. It's a nice vibe to chill to. For fans of Phoebe Bridgers, Sky Ferreira & Beabadoobee

Banger after banger after banger—no wonder it's hailed as one of the best pop albums of the 2010s

YHWH Nailgun's debut LP feels like a promising glimpse into the band's potential, hinting at what they could achieve in a more expansive release. "45 Pounds" truly shines in its longer tracks, where the songs have room to evolve and develop, showcasing the band's ability to craft dynamic and engaging compositions. The record offers a uniquely eclectic mix of art punk, noise rock, industrial, and no wave—a combination I’ve never quite heard before. Paired ... read more

I think it's fair to say that NMIXX have had a hit/miss history with their EPs, but I'm glad to call this a resounding success. It's varied, catchy and the production is topnotch. The only stain on this project is "Golden Recipe", which is just a bit bland.

"The Sensual World" sees Kate Bush delivering an album that is slightly darker in tone and significantly rockier than her previous releases. Some tracks feel as though they could belong on a late-era Queen album, yet they retain that distinctive Kate Bush twist. The album is also a touch less theatrical in comparison to previous works such as "Hounds of Love" and "The Dreaming." Nevertheless, it stands as another incredible release from Kate Bush's nearly ... read more