It has the Djo feel and production which is a plus. Another plus is that the chorus and bridge is very smartly constructed rhythmically. Where it lacks is the verses, it almost reminds me of Rare Americans and it doesn't really hit. Overall enjoyable since the verses don't stick around too long.
This record is often misconstrued as Pop-Punk. It clearly isn't, it's classic rock and fucking roll. I feel going into this with the mindset you are going to an experience a pop-punk album ruins it. It's loud, heavy at moments. Luke Bentham's vocal performance is unlike no other. The structure of these batch of songs are absolutely genius. Upon first listen I found myself humming mostly every song on this album, it's that catchy. It's really sad to see this have a ... read more
The Swellers drive home the feeling of sadness. I felt instantly connected to this record when I heard becoming self-aware. The drum work along with guitar work is oh so amazingly intricate and deep just like other records by The Swellers.
I think a lot of people don't appreciate this album enough, it's actually really good in terms of what it's trying to go for: Rippin, ear-piercing terror. At least that what I get from this record, It's meant to unsettle you a little, you don't know what is coming next. Could be a song about love that predates the sound of R.A.M or a terrifying rip in sound like "The Prime Time of Your Life". I seriously encourage people who don't like this record to give it a second chance.
an amalgamation of all things post-hardcore.
Say what you want about high-pitched vocals but this rules! I've liked the majority of HTS's discography but this takes it to the next level. With atmospheric guitars and complex drums that I find to be somehow groovy. This album shows that Post-hardcore can get melancholic without it sounding cliche. The vocals are some of the best I've heard from Donovan Melero even surpassing Wake which I never thought he could top. Solid record, great tunes!