I mean, for how mid Bandlez is, it’s pretty expected. A little better than their average, though, since this one had its moments.
Pretty whatever. I don’t know why you would ever go back to listen to this EP unless you misclicked or something. Not very replayable or special at all, but I don't think it deserves a 30/100.
---Individual ratings---
S.U.B - 65/100 - Nothing crazy, but it's solid. Decent opener.
Malfunktion - 59/100 - Is there literally ANYONE who hasn't used this vocal sample?
Signal Breaker (w/FelMax) - 59/100 - Good. Nothing else to say.
Metalware (w/SQISHI) - 55/100 - Pretty boring. ... read more
DKD is one of the greatest tracks of the year sofar. 365 carries its weight.
Meh. Fits better for rock. The quality here is saddening.
A very interesting song that has its moments. The beginning is very cool.
Sounds all the same, but Shinedown is definitely on their way to something big.
Nothing short of spectacular: not a single miss to be seen, and every song is different and comes together to form a medley of pure art. Some parts feel a little boring, but the overall result is great.
This EP feels like the definition of „good enough“:
Obviously, 1980‘s synthpop won’t work well in 2021, so Men Without Hats tried to fuse some modern elements into their songs and the result is… perplexing.
Now, some attempts at keeping the fun bouncy melodies and groovy drums do work, personally I love All The Young Dudes and even more, Blow at High Dough. The former keeps high bpm that isn’t weighed down by a bad melody or clashing elements; I actually ... read more
Somehow is the perfect mix of metal, dubstep, and for some reason, techno, and I seriously don’t understand why every single part slaps so hard.
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