I don't like these specific types of "wonky" tracks because they're more about being weird than they are about literally anything else. There's no flow to it, it's just a glorified sustain over a basic drum arrangement. Compare this to literally any track off Eliminate's Cyber Whale EP, and you'll see the difference in quality. It's not fun, it's just tedious.
Dubstep producers, it's time to retire the Yasuo vocal. It was cool the first time.
The vocal production on this track is great. Otherwise, you could do worse as far as tearout is concerned. The outro sucks.
Marshmello is probably most notable in the melodic aspects of the track. Otherwise, Space Laces' style feels the most notable here.
Second drop is nutty.
I get it, but I also don't.
I could 100% unironically see this being used in a video game or a movie, take that as you will.
One of my favorite classic Skrillex tacks. It's aged in a lot of ways (mainly being its mix), but the energy is just too infectious.
LEFTTORIGHTLEFTTORIGHTLEFTTORIGHTLEFTTORIGHTLEFTTORIGHTLEFTTORIGHTLEFTTORIGHTLEFTTORIGHTLEFTTORIGHT
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Recent Review Comments
On 889's review of KILLMATTER - HELLDUST88 (REFLEX)
"I reads as if a lot of the personality that made Disciple what it once was has been stripped from it, and they think that the label can run off of brand recognition alone. Which, in fairness, might not be entirely wrong if the song selection manages to be consistently decent to good."
On MelCollector's review of Asper - DANGER
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On DubstepIsDead's review of Dylan Brady - Needle Guy
"Whenever a project is rated by non-edm fans it seems to get a lower score than it really deserves. Not always, but often enough that it makes a pattern."
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On SVDDEN DEATH - Shallow Land Burial (Wooli Remix)
"@OctoMarkus the voyd compilations felt like a love letter to the Dubstep scene. This remix feels like Wooli got his hands on the SLB stems and slapped them on a track he already had made for clicks."
On OctoMarkus's review of Whales - Rise
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On OctoMarkus's review of Pixel Terror - TEARS DON'T FALL
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