Ocean Grove's third album feels like a defining reflection of their explosively vibrant aesthetic.
It's Almost Dry serves as a more extensive continuation of DAYTONA's appeal.
With their first full-length album, Bob Vylan have the freedom to explore more stylistically, and tackle more injustices.
Psychic Jailbreak brings a feel-good sentiment, but nothing stylistically new to the Cancer Bats discography.
This new album feels just as deserving of praise as Father John Misty's previous works, whilst adding a unique twist to his typical style.
billy woods proves to be an ever-evolving creative force with his newest album.
With a much milder and less imaginative sound, Oblivion! lacks the wow factor of past Sundara Karma projects.
Unlimited Love blends in, perhaps a little too well, with the rest of their discography.
While Buddy jumps into experimentation a little too early with his sophomore album, Superghetto still provides entertaining moments.
Nigo shows a knack for aptly complimenting other artists with the many colourful beats of I Know NIGO!
Denzel Curry's fifth studio album is his most introspective and memorable work to date.
WHO CARES? manages to pull of the heartwarming, cutesy persona that many other albums fail to execute properly.
While improving upon their last project, Stereophonics keep their stylistic cards too close to their chest with Oochya!
Vein.fm continue to hit their brutal stride with a few more melodic elements mixed in to boot.
While being more mellow than previous projects, Bakar's debut album still carries glimmers of that exciting energy and uniqueness.