mtsumtodays

The release of "Monica" marks a noticeable stylistic shift for Jack Harlow. Rather than sticking to the rap-centric sound that has defined most of his career, the album leans heavily into a smoother, R&B direction. To me, the change is unexpected, but it is interesting. Ideally, I hope this project functions as a form of experimentation rather than a full departure from his strengths. I think Jack has always had good flows and natural charisma; what he has often lacked is lyrical ... read more

On the new deluxe from Joey Valence and Brae the duo doesn't radically reinvent the current formula, they expand it. It's more like a companion piece, a short set of songs that exist comfortably within the universe of HYPERYOUTH.

It opens with 'friends', a deliberately silly, tongue in cheek track that originally appeared in HAVE TO CRY as one of the satirical radio songs. The humor is immediate, it's playful and very on brand for JVB.

'pushthepipe' shifts ... read more

This latest EP from DC The Don feels like a decisive step forward. Not just stylistically, but artistically too. The teenager-coded, social media, Y2K-inspired aesthetic isn't just surface level branding; it shapes the emotional temperature of the project. There's a coldness to it. A kind of melancholic, digitally corrupted modernity that mirrors the atmosphere of online youth culture. It feels current without chasing trends and more importantly, it feels intentional.

"the ... read more

On the Romantic, Bruno returns with a record that is, in many ways, exactly what you would expect from him in this stage of his career. The album leans into salsa-inspired rhythms and lush, polished production. Technically, it is difficult to fault. The arrangements are tight, the mixes are pristine, and the performances are delivered with the kind of discipline and control that have long defined Bruno's artistry.

One of the album's (and Bruno as a whole) strengths is itsrestraint. ... read more