I think this album is one of the best we've had this year, although in one or two songs you can notice the lack of cohesion between Pusha T and Malice. In the vast majority of tracks, you can see the passion and effort that these two artists put into it, sounding like they're rapping as one. Not to mention the beautiful beats that Pharrell Williams produced, it's just amazing. So yeah, this album is pretty decent ngl

There are no words to describe the emotional void I felt after finishing this album. Radiohead once again prove themselves as masters of sound and emotion. In Rainbows is, without a doubt, one of the greatest albums of all time.

OK Computer just proves why it’s one of the greatest albums ever made. The storytelling is deep and complex, and even with a few flaws here and there, it still defined an entire era. Radiohead really made history with this one, and its influence is gonna last forever.

Cerati ya se había ganado su lugar como un gran artista y productor en su época con Soda Stereo, pero Bocanada demuestra que incluso en solitario puede superar por mucho ese legado. Así suena la verdadera evolución artística.

Short n’ Sweet is just pure fun, light, catchy, and full of confidence. Sabrina’s clearly in her moment right now, and if she keeps this same energy, she’s only going up from here. I just hope she doesn’t lose that spark that made her music feel so genuine in the first place.

How do I even start this one? DONDA 2 was supposed to be huge, but what we got feels more like a rushed experiment than an actual album. Ye (formerly Kanye West) fills it with AI vocals and half-baked ideas that make you wonder where his artistic spark went. There’s so much fan service it’s almost exhausting, and honestly, maybe it’s time we (me included) stop caring so much about whatever image he’s trying to sell.

BULLY feels like Ye’s creativity is running on fumes. It’s supposed to be the first half of a two-part album, but instead it sounds incomplete and stuffed with awkward AI vocals. 'PREACHER MAN' really disappointed me, the AI voice ruins what could’ve been something powerful. 'BEAUTY AND THE BEAST'', though, is actually great, one of the few moments that reminds me of classic Ye. And 'DAMN' feels super unfinished, but at least it’s the ... read more

MUSIC feels like Carti finally stepping back into the chaos he created years ago. It’s nostalgic, weird, and packed with unexpected collabs. Not every track hits (30 songs is a lot), but when it works, it really works. The production’s messy at times, but that’s part of the charm, it still ends up being one of the wildest albums of 2025.

Honestly, I was kinda hyped for this collab, but '$ome $exy $ongs 4 U' just doesn’t hit like it should. It feels all over the place, some tracks sound unfinished, others just don’t vibe together. Drake has a few solid moments, but it’s clear the chemistry between him and PARTY isn’t really there this time.

DeBÍ TiRAR MáS FOToS es Bad Bunny en su mejor momento. Benito mezcla ritmos latinos con una naturalidad increíble, y cada canción tiene esa vibra que solo él puede lograr. Se nota el amor por su cultura, por su gente, y por la música.

GNX is Kendrick at his sharpest. The energy, the storytelling, the confidence, it’s all there. He reminds everyone why he’s still untouchable, and honestly, this might be the best thing we’ve gotten all year.

Even as time passes, this song remains as a powerful reminder of the intensity of rivalry in hip-hop.

It’s clear who won this battle.

CHROMAKOPIA feels like Tyler just doing whatever he wants, and that’s what makes it great. It’s not his strongest album, but it’s full of color, ideas, and that same wild creativity that keeps him ahead of everyone else.

VULTURES 2 feels like Kanye’s running on autopilot. The spark, the chaos, the genius, it’s just not there. Most tracks sound unfinished or recycled, and by the end, you’re left wondering where that old fire went.

I Lay Down My Life for You is pure chaos. Peggy’s production goes insane, raw, emotional, and loud as hell. It’s the kind of album that punches you in the gut and then makes you wanna hit replay right after.

BRAT feels bold, chaotic, and full of energy, in the best way possible. Charli keeps reinventing what pop can sound like, and at this point, nobody’s even close to doing it like her.

VULTURES 1 honestly doesn’t live up to what it could’ve been. The chemistry between Kanye and Ty just isn’t there, and a lot of tracks feel half-baked or all over the place. There are a few cool moments, sure, but overall it’s a pretty rough listen for what we were all expecting.

Donda feels massive, emotional, messy, and beautiful all at once. Kanye really went all in here, mixing chaos with heart and faith. It’s not perfect, but that’s what makes it so human. This album hits different, both sonically and spiritually.