nutbiscuits

You know what, we’re having a terrible start to 2026, so this is something nice to help out the transition into the new year. We have some bullshit going on like Greenland, ICE, global tensions on the rise, Venezuela, but whatever - we got Rocky. Shit has been edged for like, what? 2–3 years now? Haha, it’s a good album though. Was it worth the year-on-year-long wait? I’m not too sure yet, give it some time.

Some batshit insane production on these tracks; we had shit ... read more

Another album that, once again, changed my view on music. As long as you're honest in your music, who can say that you should've never put it out there? Music can sound any way you want it to and still reach somebody - not to say this album sounds bad, but to make a point out of the fact that not everybody will find appeal in the lo-fi quality of this album. Elliot Smith, a tortured soul, bleeds his heart out on the page, writing in his own blood. He has a knack for it, and it's ... read more

I like to imagine myself sitting in a chair with my back turned to the wall while Cameron plays away on the piano. It feels too personal, It sounds like I shouldn't be listening, but I indulge. When I turn this album on, I feel like I'm listening to the inner ramblings of Cameron's mind, throwing references left and right that he'd only get - but, in its own way, makes it inviting to attach your own memories and feelings to the project. We unite in shared pain, even if ... read more

Yeah, I like boys kissing boys - and I also like this album. Dipping my toes into the pool of midwest emo, I got my feet wet once I jumped into this. There's a certain itch that I've wanted to be scratched ever since I started listening to midwest emo, and this-insanely-long-album-name-that-I-won't-type-out scratched it pretty damn well. It was pretty hard to get used to Tim's voice for a bit, but I quickly adjusted. So much energy, so much fun, I'm excited to see what ... read more