PedroKisil2007

333: Salve Todos, is the second studio album by Brazilian rapper Matuê after a long time compared to the previous one, which addresses more sound spaces that were previously extremely scarce with the debut album. The album explores more of the psychedelic side of not only trap but also rock, mixing both, which I found incredible, innovating a little within the Brazilian trap scene. The album is more thought out with a beginning and end, and more organized (the minimum for an artist who ... read more

Máquina do Tempo, the debut album by Brazilian rapper Matuê, is one of the most generic albums I've ever heard, in terms of production, even though I know it had an impact on the trap scene in Brazil. There are some good tracks that explore more things, but it's extremely shallow here, the production really is very simple, going back to the audience that is more pop trap than real trap. I really thought it was an album that was very short, there could have been more ... read more

This album is actually the most random that Matuê has ever produced and the most profound, as it is sincere and with the desire to have done it without importing it to the media, which sets it above his other albums. I can say I was looking forward to this album and the marketing was really good and it worked. This project was more to release Matuê's desire to return to making Trap, I don't even consider this album a hard trap, even though it included Facas e Machados, ... read more

Brutal in every aspect, this record is literally the industrial and chaotic experimental environment. Iggor Cavalera and Linekraft produced this project very well, forming Iggor's drumming sounds, with industrial electronic sounds with a lot of reverb creating a chaotic and overwhelming atmosphere. This album is very solid, and very emerging in technical terms, and in terms of industries, which had the biggest impact. Very good, good organization, very chaotic as promised.

Favourite ... read more