Disc 29 - 80
Disc 39 - 81
Disc 29:
Disc 29 felt fun albeit a little weaker than its elder counterpart. There were certainly some fun songs, but Cole's storytelling would really take off later in the album. Favorite Tracks: SAFETY, The Let Out
Disc 39:
Definitely the more developed and mature disc (obviously, that is the theme), and Cole's storytelling is phenomenal on this half of the record. Every song envelops you in its world, and you feel like you're watching a movie. ... read more
A little underwhelming after what was a really cool rollout. It feels a little frontloaded, but some of those first tracks are amazing. I still love Don's more melodic vocals, but his rapping is still top-tier. The songs start to struggle to stay interesting near the end, but they're still not bad. This record delivered some bangers, but could have been more fleshed out. I'd have loved to see something more ambitious.
Favorite Tracks: E85, Body, ATM
A really nice collection of tracks with some really pretty vocals. The tracks start to feel a little same-y as the album progresses, but there's no dip in quality. I was introduced to this artist by a graphic novel author's soundtrack for one of the books, and I now associate "Sold" with those books in an almost nostalgic manner. A lot of these songs feel very heartfelt and sincere, and the vocals and instrumentals compliment each other so well.
Favorite Tracks: Sold, Home, ... read more
Not that I was one of the fans waiting for this for the long wait, but it feels a tiny bit underwhelming. It has its charming moments and its highs, but there are a few forgettable songs. I'm sure a longtime Rocky fan would feel satisfied with this, but I'd love to see more variation here. I loved PUNK ROCKY, and I think I'd quite enjoy a project where he explores that sound some more. The album flows well, though, and there are some songs on here that are super hard.
Favorite ... read more
The typical fun you get from TMBG. Nothing truly special, but a quick selection of good tracks. I do wish the songs themselves were a bit longer, but they’re charming.
Favorite Track: Eyeball
Hypnotizing. I was really impressed with this record, and quite enjoyed this newer corner of trip-hop/psychedelia that this album falls into. Its abstract nature is fascinating, entertaining, and hypnotic at the same time, and it draws you in a with a sort of obscure curiosity.
Favorite Tracks: benadryl submarine, styrofoam, headboard, in to a life
Fun, but not much to offer aside from the hits. I didn't find myself bored with this album, but more unimpressed. The instrumentals get repetitive and dull as the album progresses, and a few of the songs get a little annoying. There is certainly some good instrumentation on this record, and some talent shown, but ultimately nothing that hooked me too well.
Favorite Tracks: Who Can It Be Now?, Down Under
Sooooo good. Jane has outdone herself on this project. The songs are so catchy and addictive, and the production is some of the greatest I’ve heard from her. If this is all we get from her in this style, I’ll be a bit disappointed because I’ve been loving this project.
Favorite Tracks: Magic I Want U, So What?, Flash in the Pan
Soothing yet entertaining. This album didn't hit as much upon first or second listen, but I came to really enjoy it, especially the songs with features. I can definitely see myself returning to this album for some relaxing sound to play games or read to, but also an album I can tune into and enjoy.
Favorite Tracks: family and friends, take me by the hand, harvest sky
Unfortunate that I only got to this record now. What a wonderful record, from its quicker moments to its rawest, more stripped back moments. It's beautiful, that especially shining through on songs like You and Outlast, but the rest of the record brings much to the table as well. It's crafted very well, and it's a really pleasant although sometimes somber listen.
Favorite Tracks: You (both parts), Racing Mount Pleasant, Outlast
The greatest dance/house record ever. Normally, I prefer Justice's work, as they fit into the subgenres of dance/electronic I like, but it is undeniable, the greatness of this album. It's fun, danceable, exciting, and you can bop your head, boogie, and sing along to almost this entire album. It's one hell of an experience, and not for a moment does it truly slow. Even with the ten minute closer (which is amazing), it keeps a great pace and is an amazing listen, especially if you ... read more
His voice is charming, but his songwriting and production needs a little bit of work. Not bad, though. There are some great songs on this album with some fun bars and lyrics ("she said she like live music, threw a band in her face"), and it's a really enjoyable listen overall. Clearly, he needs some time to refine his sound and perhaps mature his work a little bit, but this is really promising. Go white boy go!
Favorite Tracks: radio eyes, 1978, bullet points & boulevards
Mature and complete. A really solid record, and it brings along some BANGERS. However, sonically, I feel that the end of the record is a little weak, and that's usually what I'm looking for in a good rap record. There are some great moments on here, but nothing that I feel would elevate it to another level.
Favorite Tracks: Kill Jay-Z, 4:44
Really cool switchup from Jean, loving the direction this album took. Not every song is on par with the best, but a really enjoyable listen with some insanely cool moments. Jean continues to be one of my favourite artists whose music never gets old or repetitive, and he really plays to that strength well.
Favorite Tracks: Houston, Die For Me, You're Bleeding Everywhere