I am a big Billy Woods fan, and although it may not be his best material, it's probably Moor Mother's to date. The two work well together and I look forward to further collaborations.
He is definitely a talented guy, but the Conor-esque quiver is a bit irksome at times.
There are some decent tracks, but the songwriting feels a little stunted overall.
The Killers have always been bad enough on their own, but here they have channeled Springsteen's most pedestrian material for half an hour and then, reason unknown, asked Weyes Blood to go disco on their behalf.
If Luke Haines cut a record deal while he was still in high school...