Underwhelming.

Me gusta, Io amo, J'aime, Ich liebe, Eu amo

ME LIKEY

The beats make this a worthwhile listen. That's about it.

L + Ableist + Shit music anyways
P.S. All the critics giving her somewhat high reviews, do your fucking research.

Ableist piece of shit. You don't speak for us, you speak against us.

Wow.

Vibe after vibe.

This is an album full of promising ideas, most but not all of which are expressed concisely.

Kanye at his brilliant best. His magnum opus, his peak, levels musicians can only dream of reaching. Grandiosity in its fullest form.

Unfathomably beautiful.

It sounds as fresh as when it first dropped. A return to form from the lacklustre Birds In The Trap Sing McKnight, this expertly produced soundscape creates pure sensory joy, with listeners endlessly floating away.

A shift from the gritty, hard-hitting bangers of 2015's Rodeo, Astroworld is not necessarily Travis hungry to prove himself, but more so reaping the benefits of doing just that.

The universal standard for trap, and rightfully so.

Experimentation mixed with pure flair on the guitar from the ever underrated Coxon, who steals the show on this record. Melancholic offerings such as Pressure on Julian are complimented greatly by the upbeat For Tomorrow and Sunday Sunday.

Emotional ballads about a topic many tend to avoid and we all have to address. The time away as well as the wisdom it results in creates an album of sheer finesse.

An album full of wit and quirks made serious by Kanye's truly genius production and numerous classics that do not expire over time.

An essential piece of the East Coast scene of the 1990's and a true reflection on his personal situation at the time. This album paved the way for the global superstar we know today.

Just remember ALL CAPS when you spell the man name.

A real lack of charisma or real presence from Toliver on this record. There is some luscious production which helps to build an atmosphere, but not enough to be a saving grace.

Pure silk.

Everyone knew that JID was technically superb before The Forever Story, but perhaps it was his huge potential that had people hold him to higher standards. On this project, he surpassed those standards and then some. Delivery, impossible flows, lavish beats, compelling content and storytelling; and even some soulful vocals on tracks such as Kody Blu 31 and Bruddanem.

What's scary is that I don't even believe this to be JID's magnum opus. He definitely has more to offer. In a way, I believe ... read more