Details
LP / Format
Kanye West, The Weeknd, Illangelo, Pharrell Williams, Travis Scott, FKi 1st, Metro Boomin, Sonny Digital, Frank Dukes, TM88, Southside, Charlie Heat, Mike Dean, DJ Dahi, Allen Ritter, Ben Billions, Eestbound, Maneesh Bidaye, Mano, WondaGurl / Producer
www.travisscott.com / Website
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CRITIC REVIEWS
80
Rodeo is an absurd wonder that thankfully works.
80
Rodeo has plenty of bangers and noteworthy collaborations that help bring out a futuristic trap sound that could bleed into the mainstream of hip-hop in no time.
80
Travis Scott's ambition and songwriting translates artfully on his latest commercial effort.
70
Be it increased confidence, clout or just spending more time with generation defining musicians, he has found a way to stay true to his sound while all along exploring newfound sonic and musical territory.
70
Travi$ Scott made an enjoyable album for his fans peppered with undeniable bangers for his detractors. But in a climate where a large portion of the community questions his identity, his purpose, his value (and in some cases, his ethics), this is not quite the validating slam dunk that it should’ve been.
70
His great sense of production, conceptualization and the quality of artist he surrounds himself with puts him in an optimal position for continued success, in spite of his lack of lyrical depth and content on a consistent basis.
65
Although Rodeo may register as subpar in comparison to past Scott releases, weighted down from high expectation and debate, it's almost certain that Trav's reign as rap's trend connoisseur isn't over quite yet.
60
On his major-label debut, Travis Scott ... doesn't rap so much as scream, moan and yelp like he's fronting an Eighties hardcore band.
60
Instrumentals alone can't elevate mid-level raps though, and though Scott's name isn't as prevalent in the production credits as it has been in the past, an increased focus on lyricism is absent here.
60
Travis Scott’s verses are often without substance and chock full of choppy cadences, and songs without guests, especially "I Can Tell", are undone by the monotony.
60
Yes, the production is razor sharp, the beats are skewed and often very loud which makes them feel important, but in reality, it's all a façade; an image.
50
For its alleged vision and production, Rodeo has its moments, but digging them out is as challenging as attempting to ride a bull for eight seconds.
50
Rodeo is designed to be groundbreaking and innovative, but falls short of that goal. Yes, the production is great and Scott puts together some good hooks, but he never puts forth a cohesive statement of voice.
50
Much like Action Man, all the parts on Rodeo are present and correct but that is all they are – parts.
40
Scott goes for spacey sounds, stoner vibes and vocal filters, but despite the eclecticism, he's too elusive and bland for Rodeo to amount to a stylistic - let alone a subversive - statement.
33
From half-baked ideas to songs simply being mulled over one too many times, the sonically-ambitious-to-a-fault Rodeo is littered with technical flaws, which are ultimately a disservice to the framework of the beats.
This will be looked back at one day and be considered a classic. I swear this whole album is a trip and these songs are each so memorable
Edit: (original score 90) so I’ve been writing a “Worst to Best” for this album and it’s resulted in me giving this album a TON of listens. However it feels like with every listen, the high points get higher, and the low points never seem appearent. That’s cause Rodeo is an absolute trip that Travis can only try to replicate at ... read more
EDIT 2020: Changed to 100, I can't deny it anymore.
The MBDTF of Trap Music. This album is to Trap the way White Pony was to Nu Metal. This is bar none, the greatest Trap album of all time. This album was extremely ahead of its time. It did what no other Trap artist could do and elevated the sound of modern Hip-Hop to a level where lyrics didn't need to matter and even the headassest of the old heads could respect it. Pornography is my favorite album intro of all time, it gives me goosebumps ... read more
This Travis Scott album somehow works. It's very different, it has a futuristic feel to it, it also inspires a lot of recent hip-hop. Good album
Fun listen that has a few songs a bit too long and some features that don't deliver, really good project nonetheless.
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Track List
| 1 | Pornography 3:51 | 89 |
| 2 | Oh My Dis Side 5:51 feat. Quavo | 92 |
| 3 | 3500 7:41 | 88 |
| 4 | Wasted 3:55 feat. Juicy J | 82 |
| 5 | 90210 5:39 feat. Kacy Hill | 95 |
| 6 | Pray 4 Love 5:07 feat. The Weeknd | 89 |
| 7 | Nightcrawler 5:21 feat. Swae Lee, Chief Keef | 92 |
| 8 | Piss on Your Grave 2:46 feat. Kanye West | 83 |
| 9 | Antidote 4:22 | 90 |
| 10 | Impossible 4:02 | 84 |
| 11 | Maria I'm Drunk 5:49 feat. Justin Bieber, Young Thug | 91 |
| 12 | Flying High 3:28 feat. Toro y Moi | 76 |
| 13 | I Can Tell 3:55 | 84 |
| 14 | Apple Pie 3:39 | 86 |
| 15 | Ok Alright 6:57 feat. Schoolboy Q | 86 |
| 16 | Never Catch Me 2:56 | 82 |
Total Length: 1 hour, 15 minutes
Year End Lists
| #20 | / | The Needle Drop |
| #23 | / | Pigeons & Planes |
| #24 | / | Clash |
| #36 | / | Complex |
| #36 | / | Stashed |
| / | HipHopDX | |
| / | XXL |
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1w
Piss On Your Grave goes hard asf y’all just hating cause Melon called it the worst track
3w
The Clash review is basically saying "the album is good but it's bad". Professional "critics" are so out of touch with reality it's actually insane.
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Added on: August 28, 2015