Wow. Just wow.
I don't want to explain Samantha's story. It is one she herself should be the one to tell and not something a recap of her story should explain.
My rating stems a lot from more of deep experiences. I have never had the best mental health. Not anything worse Sam could have experienced but I feel a sort of connection through the album. Philautia is the true start of the album where it follows Sam trying to find something to love herself. It follows more of a nature ... read more
At first, I was confused. A K-Pop album so highly rated? As a K-Pop hater, I had to see this bs.
This is the one K-Pop album/songs I'll ever tolerate. This was great I won't lie.
[Sweet Crazy Love]
The production is far more mellowed out than most K-Pop songs I know and its still complex at the same time. It's a very nice bop. Very sweet love song. The lyrics aren't cringe and overbearing. I won't lie, this song got me hooked. This sounds amazing. No wonder people ... read more
Peggy, baby, shut the fuck up.
This is easily, by far, the worst album for the peg-ster. What is he thinking here? I don't even know where to begin. He combined his generic ass rapping with EDM and Techno and slapped a bunch of other shit together. It certainly is experimental, and like most experiments, it fails. This hypothesis aged like milk.
babygirl was the first sign this album was not going to go well. "I don't have any type beats," he says, and his lead single was a ... read more
For me, Yeezus is such an interesting case.
Kanye had left his MBDTF era and ended it with up to that point, his most underwhelming album, the collab with JAŸ-Z. So, you'd expect a return to form for him. But instead, he decided to make an industrial Hip Hop album. And my feeling on Yeezus are... something.
This is when the antisemitism and self-centeredness of Kanye/Ye became obvious. Yeezus is just so obvious. The music videos, especially BLACKKK SKKKINHEAD. That music video still ... read more
Eh, this album is disposable as hell.
I will get this out the way. The production in this album sells HARD. Most of these songs sound like basic Hip Hop/Pop copyright free instrumentals or they are mind-numbingly generic. But when the production gets some flavor, the project picks up from there. These songs also keep getting longer, which, why? I have no issue with long songs, but Drake is not an engaging enough guy to last on 7 minute tracks like he doing a drill. Additionally, tons of this ... read more
| 100 | ||
| 90 - 99 | 2 | |
| 80 - 89 | 85 | |
| 70 - 79 | 16 | |
| 60 - 69 | 8 | |
| 50 - 59 | 5 | |
| 40 - 49 | 6 | |
| 30 - 39 | 8 | |
| 20 - 29 | 3 | |
| 10 - 19 | 1 | |
| 0 - 9 | 2 |